Not really sure why you bring up the AML 1 - I have never heard it - you must be mistaking me with another poster.

The frequency response of the Genelecs is posted on their website and even with the treble tilts bass tilts it's still a spiked treble. Diverting attention away from that and trying to bring up other speakers is curious to me - I am not in love with PMC - I respect the fact though that people like this sort of sound - and when I get the sense that someone likes this sort of sound I recommend PMC. People like added zing to their treble I have no problem if you like treble zing but please don't try and state your usual "what I like is neutral and accurate" and anyone who likes a speaker with a similar deviation but a dip likes a coloured innacurate mess."

PMC/Bryston is just about the antithesis of what Audio Note is all about. The AN K is used in recording studios - your talk on Colouration is parroting a reviewer who was using a SS amp (strike one) in a room not conducive to audio note (strike 2) and not demonstrated in the measurements (strike 3) and even with that they bought the speakers. NO ONE I know of agrees with you on the K speakers. You have said the speaker sounds worse than the 705 - No one I know of that has done side by side comparisons like I HAVE would agree - it's not close - box colouration is too funny the 705 has a clear thump when it's pushed that the K did not exhibit and on Ravel's Bolero the K presents massive scale that I've heard from no similaraly priced standmounts - you calin they lose it - that's funny = wonder what Bob Neil would say. He is a pro reviewer and liked the AN's so muc he decided to pick them up as a product line to sell - which is now very unfortunate because he won;t be able to review anymore AN products as now he'd be in a conflict of interest.

You're correct there is not use in arguing - I don;t like getting into a battle of wits with an unarmed opponent - but worse - I find you have terrible taste in music reproduction.