'nuther thread about Neil Young "Greatest Hits" album

[kexodusc]

Uh, okay Wooch, a simple "it kicks azz...buy it Kex", would have been more than enough
Curious, how does this high-rez stack up against DVD-A and SACD?

[DarrenH]

Just give me a redbook cd. I am not going to start another "format" collection.

Period!

[Woochifer]

Uh, okay Wooch, a simple "it kicks azz...buy it Kex", would have been more than enough
Curious, how does this high-rez stack up against DVD-A and SACD?

Resolution's actually identical to or better than most of the high res stereo tracks that come with DVD-A. Check the back cover on a DVD-A sometime and you'll see the resolution for the stereo DVD-A track. Usually it's 96/24, but I've seen 48/24, 44.1/24, and 96/16 resolution as well. Advantage of the Neil Young disc is that you don't need a DVD-A player to enjoy the high res version, and can digitally output it to a receiver or processor with better bass management than what usually comes with DVD-A players.

SACD, no idea how it would stack up since that format uses a different method of sampling and converting.

[kexodusc]

Interesting...wonder why DVD-A's don't also come with standard DVD uncompressed 96/24 resolution PCM format...at least for stereo if it can't support high rez multi-channel...that would seem like a huge advantage over SACD and incentive for all to jump on board the high-rez format.
Think I might take the plunge just to try this out. Even though I already own "Decade", which doesn't sound bad at all.

[shokhead]

The CD is HDCD is that helps. I dont here any difference between HDCD and a good remastered CD. I would like to try and CD with DTS.

[PPG]

In case you missed it, here's what I posted yesterday regarding this package, FWIW:

http://forums.audioreview.com/showth...8268#post68268

[Woochifer]

Interesting...wonder why DVD-A's don't also come with standard DVD uncompressed 96/24 resolution PCM format...at least for stereo if it can't support high rez multi-channel...that would seem like a huge advantage over SACD and incentive for all to jump on board the high-rez format.
Think I might take the plunge just to try this out. Even though I already own "Decade", which doesn't sound bad at all.

Some DVD-As do include uncompressed PCM tracks, but most don't. There are three reasons for this 1) disc space (96/24 takes up a lot of room); 2) the DVD-V compatible audio tracks that come with DVD-A discs are usually reserved for 5.1 DD and/or DTS tracks, since multichannel's usually viewed as the main benefit with DVD-A; and 3) paranoia on the part of record companies over open digital formats with no copy protection.

On that last point, record companies are paranoid as anything that high res digital audio tracks will get out in the open. That's why DVD-A and SACD can only output thru the analog outputs. Also, some of the audio-only DVDs have some copy protection on board in that they have the option of forcing a DVD player to downsample the track to 48/24 resolution for the digital output. But, the record companies obviously prefer the DVD-A format because it has tighter copy protection, and with multichannel audio, DVD-A has something else to sell other than just higher resolution. Equipment manufacturers also prefer DVD-A or SACD because it means that people have to buy a new player to play the high res discs. That's why the 96/24 PCM capability that's built into the DVD standard and every DVD player ever produced gets so little attention and use. That Neil Young can get a high res release on an open format is a sign that he cares about getting the highest quality to the biggest possible audience.

If you've never heard a 96/24 disc, it's worth trying and comparing. The CD on that Neil Young package is already an excellent remastering job, and the DVD track takes yet another step up. Very impressive audio quality, and probably the best available comparison of CD vs. high res PCM because they were both mastered off the same source tapes by the same sound engineer in the same studio around the same time.

The 96/24 discs from Classic Records are the best that I've heard, with uniformly excellent sound quality. All of those remasters are a noticeable improvement over the CD and even LP versions. Well worth seeking out, but not necessarily a good comparison of the formats because Classic uses some of the best mastering engineers around (and often the original recording engineers participate as well) and they usually use first generation vault pressings as a reference playback. This means that they are trying to match the tonal characteristics of the original LP pressings, and reflects a level of attention that you'll won't typically see from a big record company reissue. A lot of early CDs sounded horrible because they were simply transferred without regard for the type of sound that the original recording engineer was trying to achieve. Classic's attention to detail might yield similarly great audio quality even if it was just transferred at 44.1/16 CD resolution.