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  1. #1
    M.P.S.E /AES/SMPTE member Sir Terrence the Terrible's Avatar
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    Quote Originally Posted by Aldo WIngate
    Nice and smooth comeback.
    Mr. Wingate, I would like to remind you, or inform you if you didn't know, no personal attacks are tolerated on this forum. Keep it civil and attack the subject at hand, not the person. Thanks
    Last edited by Sir Terrence the Terrible; 11-05-2004 at 08:52 AM.
    Sir Terrence

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  2. #2
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    Wooch: I agree with you to a point. With most movie soundtracks, the front and back sound elements are kept sufficiently separate such that timbre matching between the front and surround speakers is not as critical.
    Sorry Sir TT but I was also a part of some of those earlier timbre matching discussions before you stripped me off everything. (LOL). I still maintain that timbre matching the front three is more important than breaking the bank to timbre match all the speakers. The price to value is not substantial enough. Wooch seems to see the light so why not you?
    Wooch, Sir TT, etal are a part of a Northern California Conspiracy!
    Smokey, admit you are using your receiver as a prepro!!

  3. #3
    Forum Regular Woochifer's Avatar
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    Quote Originally Posted by nick4433
    Sorry Sir TT but I was also a part of some of those earlier timbre matching discussions before you stripped me off everything. (LOL). I still maintain that timbre matching the front three is more important than breaking the bank to timbre match all the speakers. The price to value is not substantial enough. Wooch seems to see the light so why not you?
    At the risk of waffling during an election year, here's my take.

    It all depends on the source. In general, you'll improve your sound by going with timbre matched speakers, no matter the multichannel source. But, the degree of improvement varies a LOT. And that's where that value that you cite is measured.

    With multichannel music, having timbre matched surrounds is a lot more important because most of those soundtracks get mixed with the lead instruments and vocals steered into the surround channels at levels equal to the main channels. When this is done (especially if the same sound elements are mixed into the main and surround channels simultaneously), timbre mismatches are very noticeable and distracting.

    With most movies, I would say that it's not as crucial. This is simply because most of the movie soundtracks that I've heard don't do the equal level mixing into all channels that you hear more of in 5.1 music mixes. Quick fire directional effects don't highlight timbre mismatches the way that a guitar and vocals steered into the main and surround channels at equal levels will. Ambient cues don't either.

    I would add though that more of the newer movie soundtracks I've heard are aggressively steering more of the sound elements into the surrounds and doing more simultaneous mixing into the main and surround channels. In movies like "Master and Commander" where this occurs, the effect with timbre matched speakers can be quite stunning. And mismatched speakers simply can't do that.

    When I replaced those old Bose 301s with timbre matched Studio 20s as my surround speakers, all of my multichannel soundtracks sound noticeably better. The overall soundfield felt more cohesive in general. But, with those soundtracks where you have that aggressive steering of sounds from the mains into the surrounds, THAT'S where you really notice the difference with timbre matching. With a good soundtrack along those lines, the stability of the side imaging is rock solid, and you can now perceive depth and scale in the sound. Not all soundtracks (including most movie soundtracks) will get the maximum benefit from timbre matching, but it seems that an increasing number of soundtracks out there can.

  4. #4
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    Wooch, nice recovery what with the waffling and all but you do make some excellent points. I always felt that the front three channels were very important to timbre match if not all for movies but music is another beast.
    If you plan to listen to a lot of DVD-A and SACD then panning all around becomes very important and puts more emphasis on timbre matching.
    Wooch, Sir TT, etal are a part of a Northern California Conspiracy!
    Smokey, admit you are using your receiver as a prepro!!

  5. #5
    M.P.S.E /AES/SMPTE member Sir Terrence the Terrible's Avatar
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    Quote Originally Posted by nick4433
    Sorry Sir TT but I was also a part of some of those earlier timbre matching discussions before you stripped me off everything. (LOL). I still maintain that timbre matching the front three is more important than breaking the bank to timbre match all the speakers. The price to value is not substantial enough. Wooch seems to see the light so why not you?
    I guess I don't because I have always had a matched system(except for a VERY brief time) and have always loved the eveness, and fluidity of listening to sound effects move smoothly from channel to channel. I love the sound of the acoustical bubble soundfield you get with a matched system. To these ears, non timbre matched surrounds produce jumpy pans, or pans that have holes in them as the effects move from channel to channel. It is very disconcerning to the ears listening to voices that sound dissimular when they are present in both the surrounds, and mains. When listening to Dts disc's with instruments and voices all around you(I hate this, but some of the music is pretty good) it sounds like they are in two different spaces with non timbre matched surround speakers.

    Nick, I guess it just boils down to what compromises one is willing to make. Non timbre matched surrounds just do not sound as good as timbre matched ones, so I am not willing to make that compromise. I would rather get a lesser priced timbre matched system, than a more expensive non timbre matched one. I do not personally think you have to break the bank to get a timbre matched system.
    Sir Terrence

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  6. #6
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    Quote Originally Posted by Sir Terrence the Terrible
    I do not personally think you have to break the bank to get a timbre matched system.
    In that case I want my RS3s back!
    Wooch, Sir TT, etal are a part of a Northern California Conspiracy!
    Smokey, admit you are using your receiver as a prepro!!

  7. #7
    M.P.S.E /AES/SMPTE member Sir Terrence the Terrible's Avatar
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    Quote Originally Posted by nick4433
    In that case I want my RS3s back!
    Sorry Nickster, but the box may be a RS3 , but the drivers are now TADS like my center and front main drivers are. The crossovers, and drivers have all been swapped out so I could timbre match them to my fronts. Sorry, I just couldn't help myself. :>)
    Sir Terrence

    Titan Reference 3D 1080p projector
    200" SI Black Diamond II screen
    Oppo BDP-103D
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    9 Onkyo M-508 power amp
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    18 custom 3 way horn DSP hybrid surround/ceiling speakers
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  8. #8
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    Quote Originally Posted by Sir Terrence the Terrible
    Mr. Wingate, I would like to remind you, or inform you if you didn't know, no personal attacks are tolerated on this forum. Keep it civil and attack the subject at hand, not the person. Thanks

    Who's your daddy?

  9. #9
    cam
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    I know I am going to sound like a broken record but here goes anyways. Every 5.1 dvd I played with my ex decoder on sounded worse. Very collapsed and narrow. With ex and es discreet dvd's, it sounded better but it still did not sound anywhere as good as when that ex or es information was played back in 5.1 with my side di-poles. Very spacious with ex or es played back in 5.1 with di-poles. I am all for better sound. If 12 speakers sounded better I would do it, but so far 5.1 is still king for me. Actually, I previously had a 5.1 with mono-pole surrounds and while it sounded good, it is no where as good as my updated 5.1 with di-poles. My order best to worst, 5.1 with di-poles (if your room accomodates), 5.1 with direct facing surrounds, a distant 3rd 7.1, and a very distant 4th 6.1. And Waldo, get lost you lo$er. I'm sorry to Sir Double T for my direct attack and I know it is not tolerated but Aldo is nothing more then a big time NOBODY.

  10. #10
    Loving This kexodusc's Avatar
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    Interesting rankings, Cam. My own personal preference, having only recently switched from dipoles is:
    1) 7.1 with direct radiating speakers
    2) 7.1 with 2 dipoles in the rear
    3) 6.1 with all direct radiating speakers
    4) 5.1 with all direct radiating speakers
    5) 5.1 with dipoles.

    Not that any sounded bad, but I'm finding more and more directionally sensitive cues in soundtracks that dipoles screw up...and for multi-channel audio, they're not ideal.

    In a very small room though, dipoles can have the effect of creating "spaciousness"...once I bought a house and had a huge room, they lost their appeal to me, but in my old apartment they were great, especially at moderate volumes.
    To each their own...

  11. #11
    cam
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    Hey Kex, when you were using di-poles, were they the v2's that were shaped like a box with the forward and rearward facing speakers exactly 180 degrees from each other. If they were, I heard them before and you are right, with alot more directional cues in soundtracks they sound a little to distant, if you know what I mean. But on their v3's they changed the shape of their box where the speakers are now aiming in approx. 15-20 degrees each. To me you now get some directional cues and that vast spaciousness that di-poles give you. Without the big improvement that the v3's had over the v2's, I would have stuck with direct facing speakers and then maybe would have tried 5.1+1 with all direct facing speakers and maybe had a better result with 1 or 2 center rears.

  12. #12
    M.P.S.E /AES/SMPTE member Sir Terrence the Terrible's Avatar
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    Quote Originally Posted by Aldo WIngate
    Who's your daddy?
    I am my daddy, and these are the forum rules. If you cannot follow them, you'll be Aldo dismissed.
    Sir Terrence

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    Oppo BDP-103D
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    9 Onkyo M-508 power amp
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    2 custom 15" sealed FFEC servo subs
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  13. #13
    M.P.S.E /AES/SMPTE member Sir Terrence the Terrible's Avatar
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    Quote Originally Posted by Aldo WIngate
    How can YOU be your own daddy? It's not genetically possible, unless, of course, you are a clone of yourself, in which case, you'd also be your own brother too. Alas, without insemenation of a female, the male cannot reproduce, and a child cannot be conceived.
    Thank your for your lesson about the human reproduction process. I however cannot see the relevance of this information on a board where the main topic is hometheater. Is there a connection I don't know about?

    [
    But, I am assuming you are a human being, and therefore, at some point in time, you were born. Having been born, you are the end result of the 9 month process which began with the insemenation of a woman BY a man. Thus, the man in question cannot possibly be YOU.
    Your assumption is correct, but I fail to see how this relates to hometheater.

    This all leaves us with the original question not truthfully answered, so I shall ask again, WHO's YOUR DADDY???!!!!!!??????
    Maybe we can have an honest reply this time???
    I am my daddy, and that is as honest a reply as your are going to get. Now, let us steer this conversation back to hometheater, shall we.

    Don't forum rules include "honesty"? If so, will you please give yourself the same public warning that you gave me regarding following rules.


    Is Aldo Wingate your real name? If not, then you are not being totally honest. There are no forum rules regarding honesty, or we would require your real name instead of a moniker. Honesty is a personal responsibility, not something enforced through this forum. How can Audioreview verify half the information you guys(or gals) state on the board. How do we know your really are a audio engineer(like myself), or a electrical engineer(like many state they are here) . We don't, so we rely on personal resposibility in terms of honesty.

    You must also publicly threaten to dimiss yourself from the for
    um, as it is only fair. At least I have been honest.
    If you REAL name is not Aldo Wingate, then you are not being honest really.

    The reality is, this is not about honesty, it is about you personally attacking someone. So I will repeat, no personal attacks of any kind on this board, or you will not be able to participate. Cool?
    Sir Terrence

    Titan Reference 3D 1080p projector
    200" SI Black Diamond II screen
    Oppo BDP-103D
    Datastat RS20I audio/video processor 12.4 audio setup
    9 Onkyo M-5099 power amp
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    9 Onkyo M-508 power amp
    6 custom CAL amps for subs
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    18 custom 3 way horn DSP hybrid surround/ceiling speakers
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  14. #14
    Loving This kexodusc's Avatar
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    Uh, Sir T, if I may...
    Waldo's not new here by any means, he shows up every few weeks or so to start some jive like this whenever his parents ground him. Best bet is just to ignore him and banish him when he inevitably says something incredibly stupid and offensive. No point adding fuel to his fire.

  15. #15
    M.P.S.E /AES/SMPTE member Sir Terrence the Terrible's Avatar
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    Quote Originally Posted by kexodusc
    Uh, Sir T, if I may...
    Waldo's not new here by any means, he shows up every few weeks or so to start some jive like this whenever his parents ground him. Best bet is just to ignore him and banish him when he inevitably says something incredibly stupid and offensive. No point adding fuel to his fire.
    Thanks for the info. I have seen his name every now and then, but I never read his posts, so I didn't know this.
    Sir Terrence

    Titan Reference 3D 1080p projector
    200" SI Black Diamond II screen
    Oppo BDP-103D
    Datastat RS20I audio/video processor 12.4 audio setup
    9 Onkyo M-5099 power amp
    9 Onkyo M-510 power amp
    9 Onkyo M-508 power amp
    6 custom CAL amps for subs
    3 custom 3 way horn DSP hybrid monitors
    18 custom 3 way horn DSP hybrid surround/ceiling speakers
    2 custom 15" sealed FFEC servo subs
    4 custom 15" H-PAS FFEC servo subs
    THX Style Baffle wall

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