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  1. #1
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    sub 6dB louder than other speakers?

    Hi

    why is it that the SUB has to be slightly louder than other speakers? Is it just to get the 'oomph', or is there some technical reason?

    :-)

    If I want the sub 'nicely' integrated, esp for music in Source Direct mode, then should I have it at the same level as the rest of the speakers?

    cheers

    S

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    DIY Dude poneal's Avatar
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    This is what I do....

    I have all my speakers set to large and the sub xover frequency set to 60hz. Since all my speakers can play down to around 40hz (-3db), I choose 60hz for the xover. This allows all my speakers to receive frequencies at or above 60hz and the sub to receive all frequencies at or below 60hz. This does not mean that that is exactly how it works with the magical cutoff at 60hz. The main/surround speakers still output below 60hz but the receiver sends a lower volume signal to it below 60. I'm guessing that at 50hz my receiver sends the mains/surrounds a signal that is -3db or maybe even -6db. Depends on the xover slope. The sub will go the opposite direction. It will receive all frequencies below 60hz but will attenuate signals higher thanb 60. So maybe at 70hz the sub frequency is down -3db. You get the concept? The main thing is that the xover is not a brick wall where anything above or below a set frequency is blocked.

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    Quote Originally Posted by poneal
    I have all my speakers set to large and the sub xover frequency set to 60hz. Since all my speakers can play down to around 40hz (-3db), I choose 60hz for the xover. This allows all my speakers to receive frequencies at or above 60hz and the sub to receive all frequencies at or below 60hz. This does not mean that that is exactly how it works with the magical cutoff at 60hz. The main/surround speakers still output below 60hz but the receiver sends a lower volume signal to it below 60. I'm guessing that at 50hz my receiver sends the mains/surrounds a signal that is -3db or maybe even -6db. Depends on the xover slope. The sub will go the opposite direction. It will receive all frequencies below 60hz but will attenuate signals higher thanb 60. So maybe at 70hz the sub frequency is down -3db. You get the concept? The main thing is that the xover is not a brick wall where anything above or below a set frequency is blocked.
    If you want your output to be clearer and more dynamic at higher volumes I would set all your speakers to small and set your receiver at 60 hz crossover, dial your sub to the highest setting and enjoy. Your receiver will have more headroom and less strain on its power supply and your other speakers will play clearer and louder with better midrange. If you are set on 60 hz then this is the way I would do it. The saying goes, setting to small means BIG sound.

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    DIY Dude poneal's Avatar
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    Cam, I would love to set my speakers to small, but unfortunately my receivers' settings for small only allow crossovers of 80 or 100hz. 80hz seems a little high to me (I can localize where the bass is coming from) so I set them to large). I sure wish that they had a 60hz xover for the small setting... but that's another story. See ya. Paul.

  5. #5
    M.P.S.E /AES/SMPTE member Sir Terrence the Terrible's Avatar
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    Quote Originally Posted by poneal
    Cam, I would love to set my speakers to small, but unfortunately my receivers' settings for small only allow crossovers of 80 or 100hz. 80hz seems a little high to me (I can localize where the bass is coming from) so I set them to large). I sure wish that they had a 60hz xover for the small setting... but that's another story. See ya. Paul.
    Actually 80hz is a unofficial standard within the audio community. It was the THX standards that really made this crossover point widespread amoung all manufacturer. Their philosophy is that if you want the sub to disappear, you have to cross it over at least one octave from the point that bass becomes directional to the ear, and use steep crossover filters. According to their listening test, that would have been 160hz using 24db per octave linkwitz crossover filters. If you can localize your bass using 80hz crossover point, it is likely there is something vibrating(like a wall or the floor) that is near or under the sub. In THX systems I have installed, the bass is not localized using the standard 80hz crossover point.

    From an acoustical stand point, in the absence of EQ on all channels, the small setting should be used for all speakers. Bass coming from different directions, interacting with different points in the room will have a different frequency response at the listening position. This difference can be as much as 20db. So one channel may have great bass(L+R mains),another channel may have a completely different frequency response(center), and still the surrounds will have an entirely different frequency response all based on the speakers proximity to the walls of the room. By sending all the bass to the sub, you are pretty much assured that all channels will have the same bass response no matter where the mains, center and surrounds are placed. You will also have a much clearer midrange and upper bass coming from the mains, center and surrounds.
    Sir Terrence

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    DIY Dude poneal's Avatar
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    Very interesting Sir Terrence! I may just give that a try as it would lessen the load that my receiver must output. This is actually a good time to try it since I have just rearranged my living room. Now it's setup more like a HT environment. I also have 5 matching speakers which will be done hopefully in the next few weeks. All this mean breaking out the SPL meter again and adjusting everything again which I really enjoy doing anyway. Nice post. Paul.

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    Quote Originally Posted by poneal
    Very interesting Sir Terrence! I may just give that a try as it would lessen the load that my receiver must output. This is actually a good time to try it since I have just rearranged my living room. Now it's setup more like a HT environment. I also have 5 matching speakers which will be done hopefully in the next few weeks. All this mean breaking out the SPL meter again and adjusting everything again which I really enjoy doing anyway. Nice post. Paul.
    I'm the same way, every now and then I break out the sound meter just to see if eveything is still tickediboo. I just recently bought new appliances, so I spl'd my old dishwasher and oven hood and went to sears and I said I want appliances way quieter then what I had. Hey, I gotta use my toy somehow.

  8. #8
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    VRDUB: Play around with the suggestion you've read so far.
    I went through all this a few months back after years of leaving my paradigm Studios set at "large"...I tried setting them to small based on advice here from Woochifer and others and I honestly prefer the brickwall LFE cutoff method at around 60 or 40 Hz...it's certainly easier on your amplifier and in my opinion really helped the speakers in the midrange frequencies since they weren't required to do both anymore.
    A friend of mine uses a method similar to Poneal's and I have to admit his system sounds great too..I couldn't get that kind of blending with mine though.

    There isn't a best way, I don't think, but there are reasons in favor of each method.

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    Music

    Thanks everyone!! Ok, so by the looks of things, setting my speakers to small is the way to go. I will try it out, but my next question is about listening to two channel music. Isn't it best to have the speakers set to large for 2CH. in Direct/Pure Direct listening mode? Please correct me if I'm wrong.

    Once again, Thanx for all the help!!

  10. #10
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    Quote Originally Posted by VRDUB
    Isn't it best to have the speakers set to large for 2CH. in Direct/Pure Direct listening mode?
    You could easily start a flame war here asking that question. Once again I would submit that there isn't a "best". Certain setups with a sub will sound better for 2ch stereo than other setups without a sub. This is very dependant on your speakers and how they behave. It doesn't cost you much to play around.

    Purists will prefer full-range speakers without a sub. Some people maybe a bit deaf in the bass regions and like the reinforcement a sub can provide. "Bassheads" like exaggerated low end and usually can't make do without a sub. Whatever sounds best to you.

    This is one of the advantages with home stereo playback vs. live performances...you have some control to tweak the way a performance sounds at home...If you're at a concert and you'd like bass louder, unless you jeer the band or have incredible influence, chances are you're at their mercy. At home you can adjust the bass.

    The hardest thing for some audio-enthusiasts to do is to figure out what sounds good to them and to live with that. Instead they often focus on what sounds good to others and try to tailor their system after that...this can lead to dissatisfaction very quickly if your tastes are a bit different. If everyone liked the same stuff, there'd be no need for variety in equipment.

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    No Flame War Please

    Cool, I'll try all those different settings and see what I like best.

    Again Thanks a bunch!!!

  12. #12
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    VRDUB: I've got to ask you, why did you get a PDR-8 with Monitor 7's? What's the rest of your system?

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    Quote Originally Posted by VRDUB
    Thanks everyone!! Ok, so by the looks of things, setting my speakers to small is the way to go. I will try it out, but my next question is about listening to two channel music. Isn't it best to have the speakers set to large for 2CH. in Direct/Pure Direct listening mode? Please correct me if I'm wrong.

    Once again, Thanx for all the help!!
    You are building a fine system. I too have the 7's, cc370, and adp370's with a denon. One thing you will notice with your denon is that no matter what your settings are, big or small, and what crossover setting you have chosen, when you play back through 2 channel direct it will play back full range. Your 7's will be full range and your sub will be on as well. If you at this point do not want your sub on you will have to turn the gain down. Myself, I have a pw-2200 and I would never ever consider turning it down. Party on!

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    I had mini monitors v.1 for a few years, I was quite happy with them at the time, they weren't as good as my wharfedale emeralds but they actually imaged a bit better, and considering the price difference I was quite happy.
    I tried a complete Monitor series HT, and for the difference in the money I had spent I went straight to the Studio 40's and 20's.
    I do think Paradigm makes a solid subwoofer in the PW-series. I have a PW-2200 and a PW-2100. I'm actually selling the PW-2200 to a friend before I move, I like the smaller woofer just a bit better.

    VRDUB: I would suggest you take time to compare heavily the ADP-370's with just Mini-Monitors as rears/surrounds. If you start getting into multi-channel audio (which is becoming the next big thing in music), you might find the ADP's a bit distracting. 5.1 audio isn't made with ADP type speakers in mind. Even for general 5.1 movie playback, there's definitely a split among audio enthusiasts about whether to use bipole/dipole speakers or direct radiating speakers as rears. Make sure you get what you like or it could drive you nuts...trust me, I've been down that path!
    If you do decide to go with Mini Monitors, you'll have saved yourself a few hundred bucks, too.

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    Good solid advice but

    Quote Originally Posted by kexodusc
    I had mini monitors v.1 for a few years, I was quite happy with them at the time, they weren't as good as my wharfedale emeralds but they actually imaged a bit better, and considering the price difference I was quite happy.
    I tried a complete Monitor series HT, and for the difference in the money I had spent I went straight to the Studio 40's and 20's.
    I do think Paradigm makes a solid subwoofer in the PW-series. I have a PW-2200 and a PW-2100. I'm actually selling the PW-2200 to a friend before I move, I like the smaller woofer just a bit better.

    VRDUB: I would suggest you take time to compare heavily the ADP-370's with just Mini-Monitors as rears/surrounds. If you start getting into multi-channel audio (which is becoming the next big thing in music), you might find the ADP's a bit distracting. 5.1 audio isn't made with ADP type speakers in mind. Even for general 5.1 movie playback, there's definitely a split among audio enthusiasts about whether to use bipole/dipole speakers or direct radiating speakers as rears. Make sure you get what you like or it could drive you nuts...trust me, I've been down that path!
    If you do decide to go with Mini Monitors, you'll have saved yourself a few hundred bucks, too.
    if I was to rate my best piece in my ht set up, hands down my adp's is the best purchase out of all my purchases. As far as it goes listening to 5.1 music, you are right, they were not intended when they were mixing music in 5.1. But they still sound incredible (to me) and, absolutley in no way do they annoy or distract me listening to music mixed in 5.1. In my situation my di-poles have room to work properly, if my couch was against a back wall I guaranty my opinion would change. There is a big split in opinion on di-poles, but not everyones room (set up) is the same.

  16. #16
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    satz, humans' hearing gets much less sensitive at the frequency extremes. It has an official name, but I forget what it's called (maybe someone can post that). Basically you just turn the sub up louder to compensate for this curve. If you used an spl meter and ran your system so that it's completely flat from 20 khz to 20 hz, you would think it was lacking bass only because our hearing starts dropping off as the frequency goes lower.

    -joey

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