Page 3 of 3 FirstFirst 1 2 3
Results 51 to 64 of 64
  1. #51
    RGA
    RGA is offline
    Forum Regular
    Join Date
    Nov 2003
    Posts
    5,539
    Quote Originally Posted by Luvin Da Blues
    You should do a search for all of RGA posts, he's our local Audio Note (one note?) fan boy.
    I have no problem with the notation of being a fan boy - sometimes some things are worth becoming a fan of.

  2. #52
    Music Junkie E-Stat's Avatar
    Join Date
    Dec 2003
    Posts
    5,462
    Quote Originally Posted by RGA
    You are correct that there are some exceptions...
    I merely point out that the technology exists. Over time, switchers will certainly be around but I'm hopeful that more companies will grasp the more innovative ways of finding inherently linear solid state circuits that operate like the Pass designs.

    rw

  3. #53
    _ Luvin Da Blues's Avatar
    Join Date
    Jan 2007
    Location
    _
    Posts
    1,951
    Quote Originally Posted by RGA
    I have no problem with the notation of being a fan boy - sometimes some things are worth becoming a fan of.
    No offense meant, just a little dig. As much as I like Audio Note gear, and this could be my personal taste, I also realize that there is other gear I would enjoy having just as much, if not more.
    Back in my day, we had nine planets.

  4. #54
    Forum Regular hifitommy's Avatar
    Join Date
    Dec 2001
    Location
    sylmar, ca. in beautiful so cal earthquake country
    Posts
    1,442

    i have a suggestion

    that may work for some here. join the local audio society or club and attend the meetings. here in socal we have the LA/Orange County audio society. we visit dealers and manufacturers and also have presentations in a buena park hotel on occasion.



    the clip below is for our next meeting in sept at manley labs (free beer!). eveanna will conduct a tour of the factory and give extensive explanations of many features of the products they make.

    >
    Dear Members and Friends,
    Coming in September: The Grand Tour of Manley Labs in Chino!!!!!
    You asked for it! It's the Event you have been waiting for! It just does not get better than this!!

    Sunday, September 20th, 2-5pm: We'll tour Manley Labs with our own wonderful EveAnna Manley, President and CEO, as our exclusive guide!
    It's a fabulous facility...tons to see! Unbelievable goodies! All made right there in house!!

    The amazing EveAnna Manley has announced an incredible raffle of a pair of gorgeous MANLEY RETRO 100 AMPLIFIERS http://www.manleylabs.com/containerpages/retro10099.html Thank you!!!!!!
    Just received from Chip Winston of Cable Research Labs: The CRL Copper Phono Cable, $895!! Thank you Chip and CRL!! The wonderful cable will be in the raffle along with the goodies from Manley!! WOW!
    Great lunch! Beer! Superb and fun Raffle! Everybody will have a super time. Not to be missed!
    Manley Laboratories, Inc.
    13880 Magnolia Ave. Chino, CA.
    1-909-627-4256
    www.manleylabs.com
    Please save the date. Visitiors, members, and guests are welcome! EveAnna is our 2009 Founder's Award Winner. Please congratulate her in person!!
    Bob Levi
    President
    Los Angeles and Orange County Audio Society
    America's Premier Audio Society with over 500 Members!
    www.laocas.com 1-714-281-5850 <

    you may even hear something. our previous meeting was at acoustic image whare we heard some VERY nice equipment, vinyl included.

    only one whom has not heard a DECENT (not spelled astronomically priced) vinyl setups will understand what the superiority is all about. lets just say that a $500 player will suffice to open your eyes. tubes too. there are many components that exhibit none of the stereotypical soft/fuzzy/warm/mushy sound that some believe is present in all tubed designs.

    if after youve taken real time to hear these things and you dont care, go back to the bose mindset. digital will be 'good enough' for you. it isnt for me. i realy like my CDs, SACDs, and DVDAs but LP playback has more "there" there. tubes enhance that.
    Last edited by hifitommy; 08-11-2009 at 05:32 PM.
    ...regards...tr

  5. #55
    Forum Regular frahengeo's Avatar
    Join Date
    Jun 2009
    Location
    Beantown
    Posts
    178
    Quote Originally Posted by hifitommy
    that may work for some here. join the local audio society or club and attend the meetings. here in socal we have the LA/Orange County audio society. we visit dealers and manufacturers and also have presentations in a buena park hotel on occasion.

    http://mail.google.com/mail/?source=...3071a752921ec6

    the above link is for our nest meeting in sept at manley labs (free beer!). eveanna will conduct a tour of the factory and give extensive explanations of many features of the products they make.

    you may even hear something. our previous meeting was at acoustic image whare we heard some VERY nice equipment, vinyl included.

    only one whom has not heard a DECENT (not spelled astronomically priced) vinyl setups will understand what the superiority is all about. lets just say that a $500 player will suffice to open your eyes. tubes too. there are many components that exhibit none of the stereotypical soft/fuzzy/warm/mushy sound that some believe is present in all tubed designs.

    if after youve taken real time to hear these things and you dont care, go back to the bose mindset. digital will be 'good enough' for you. it isnt for me. i realy like my CDs, SACDs, and DVDAs but LP playback has more "there" there. tubes enhance that.
    Hifi,

    Are your comments directed at anyone in particular or is it toward the thread? This isn't about analog vs. digital, though inevitably some discussions will cover that, as you can see. The subject was regarding an effective way to evaluate audio equipment. In the end, the final test will be the listening test for most, if not all.
    It's a disease, really.
    -----------------------------------
    Sony
    CDP-X77ES, CDP-X55ES, TA-N90ES, TA-E90ES, 333ESXII
    Denon
    AVP-A1HDCI, POA-A1HDCI, DVD-5910CI, DVD-2500BTCI
    Oppo
    BDP-83
    Sennheiser
    HD800
    Definitive Technology
    BP2000TL, C/L/R 3000, BPX, BP1X
    Pioneer
    Pro-151FD

  6. #56
    Forum Regular hifitommy's Avatar
    Join Date
    Dec 2001
    Location
    sylmar, ca. in beautiful so cal earthquake country
    Posts
    1,442

    listening

    YES, thats IT. there have been numerous catcalls in this thread against vinyl vs digital. so yes, lets all LISTEN and then make decisions. i bought my first CD player after hearing music that way. and it was good but i eventually started to realize i shouldnt give up the vinyl

    the digs were that vinyl is less dynamic that digital (not true) and that distortion in tubed equipment dismiss them from consideration (again not true).

    i learned the most in stereo stores by keeping my mouth shut and listening to the equipment and some knowledgeable sales personnel.
    ...regards...tr

  7. #57
    Music Junkie E-Stat's Avatar
    Join Date
    Dec 2003
    Posts
    5,462
    Quote Originally Posted by hifitommy
    the clip below is for our next meeting in sept at manley labs (free beer!). eveanna will conduct a tour of the factory and give extensive explanations of many features of the products they make.
    I would love to attend. I have some frequent flier miles left if the schedule permits. EveAnna is definitely one of the good guys, er gals in the industry!

    rw

  8. #58
    Suspended Smokey's Avatar
    Join Date
    Jan 2004
    Location
    Ozarks
    Posts
    3,959
    Quote Originally Posted by E-Stat
    Based upon exactly what?
    Based on assumption that THD above 0.3% is audible.

    Quote Originally Posted by RGA
    These companies have sophisticated measuring tools - just because the end result may have a higher measured distortion doesn't mean anything - they will ensure that all their amps measure the way they want them or need them to measure.
    In actuality what you are saying is that you let somebody else (designer) decide how an amp should sound and what specifications it should have. Because when you buy their amp, you are also buying their vision of what does “sound” good and what doesn’t.

    And for all we know, the designer might be deaf in one ear and can’t hear out the other

  9. #59
    Music Junkie E-Stat's Avatar
    Join Date
    Dec 2003
    Posts
    5,462
    Quote Originally Posted by Smokey
    Based on assumption that THD above 0.3% is audible.
    Assumption? LOL! Why not test your own ability? Mine was only slightly above 1.6%. My assumption is that you can't even get close to that, much less go all the way to -45 db (which is only 0.56%). Good luck!

    Distortion Test

    Quote Originally Posted by Smokey
    In actuality what you are saying is that you let somebody else (designer) decide how an amp should sound and what specifications it should have.
    In actuality what I continue to say is specifications remain useless and I use my own ear as the judge.

    rw

  10. #60
    Phila combat zone JoeE SP9's Avatar
    Join Date
    Jun 2003
    Location
    Philadelphia, PA
    Posts
    2,710
    It comes down to one thing. If it sounds better it is better. Forget the specs and let your own ears do the deciding!
    ARC SP9 MKIII, VPI HW19, Rega RB300
    Marcof PPA1, Shure, Sumiko, Ortofon carts, Yamaha DVD-S1800
    Behringer UCA222, Emotiva XDA-2, HiFimeDIY
    Accuphase T101, Teac V-7010, Nak ZX-7. LX-5, Behringer DSP1124P
    Front: Magnepan 1.7, DBX 223SX, 2 modified Dynaco MK3's, 2, 12" DIY TL subs (Pass El-Pipe-O) 2 bridged Crown XLS-402
    Rear/HT: Emotiva UMC200, Acoustat Model 1/SPW-1, Behringer CX2310, 2 Adcom GFA-545

  11. #61
    Forum Regular frahengeo's Avatar
    Join Date
    Jun 2009
    Location
    Beantown
    Posts
    178
    Quote Originally Posted by JoeE SP9
    It comes down to one thing. If it sounds better it is better. Forget the specs and let your own ears do the deciding!
    Okay. So your rich nephew or your wealthy best friend comes to you and says: "I'm really interested in getting the best sounding 2-channel system. Since you have a vast knowledge, combined with years of experience in audio, can you help me?"

    Knowing full well that everyone hears things differently and has different tastes. What do you tell him?

    Do you:

    1) Talk up your own system and convince him to buy the same?
    2) Tell him to go read Sterophile and similar magazines as a starting point?
    3) Tell him that its not your problem and to go fly to California and hit every possible HiFi store along the westcoast and listen to every possible combination of components?
    4) Do a preliminary questioning to help narrow down the search?
    5) Another option
    Last edited by frahengeo; 08-12-2009 at 08:59 AM.
    It's a disease, really.
    -----------------------------------
    Sony
    CDP-X77ES, CDP-X55ES, TA-N90ES, TA-E90ES, 333ESXII
    Denon
    AVP-A1HDCI, POA-A1HDCI, DVD-5910CI, DVD-2500BTCI
    Oppo
    BDP-83
    Sennheiser
    HD800
    Definitive Technology
    BP2000TL, C/L/R 3000, BPX, BP1X
    Pioneer
    Pro-151FD

  12. #62
    RGA
    RGA is offline
    Forum Regular
    Join Date
    Nov 2003
    Posts
    5,539
    Quote Originally Posted by Smokey
    In actuality what you are saying is that you let somebody else (designer) decide how an amp should sound and what specifications it should have. Because when you buy their amp, you are also buying their vision of what does “sound” good and what doesn’t.

    And for all we know, the designer might be deaf in one ear and can’t hear out the other
    No - what you are saying is to design equipment requires no listening whatsoever but merely calculations from a textbook. I have no doubt this is how most stuff is designed because even the engineers at such places after listening to their gear have been shown to like 20 year old tube amps at a fraction of the price better.

    The goal of Audio Note - a SET maker is "Rather than try design out the deficiencies in the software, we try to retain as much of the information as possible, good or bad, it is not for the equipment manufacturer to change the sound of the software, if the software sounds bad, write an insulting letter to the recording and balancing engineers, not to us!!"

    What counts is which "system" makes a Beethoven Piano Sonata sound more like a piano. As I already posted in the Stereophile link - the top SS makers know which one sounded more like a piano - the tube guys already know and most people leave SS for tubes and don't go back.

    However your quote does illustrate something - people who have poor hearing and don't know what a piano sounds like will no doubt 'buy" based on measurements - they need to because they can't trust their ears to say system A sounds like a piano and system B does not. Yes "some" makers may design to their ears and what they like but what you assume, incorrectly, that I am buying based on "their" preferred sonic aesthetic. One buys based on their "own" preferences. If it is your preference to buy an amplifier with less than .03% THD or as some poster's buy based on the measurements traits found by Floyde Toole based on "other people's" blind listening sessions that is up to you and them. It saves them from trusting their ears which they obviously have zero confidence in. That's a real shame.

  13. #63
    Phila combat zone JoeE SP9's Avatar
    Join Date
    Jun 2003
    Location
    Philadelphia, PA
    Posts
    2,710
    Quote Originally Posted by frahengeo
    Okay. So your rich nephew or your wealthy best friend comes to you and says: "I'm really interested in getting the best sounding 2-channel system. Since you have a vast knowledge, combined with years of experience in audio, can you help me?"

    Knowing full well that everyone hears things differently and has different tastes. What do you tell him?

    Do you:

    1) Talk up your own system and convince him to buy the same?
    2) Tell him to go read Sterophile and similar magazines as a starting point?
    3) Tell him that its not your problem and to go fly to California and hit every possible HiFi store along the westcoast and listen to every possible combination of components?
    4) Do a preliminary questioning to help narrow down the search?
    5) Another option
    1. I let him listen to my system. I'm very happy with it and others whose opinion I value think it sounds good. I don't try to convince anyone to buy full range ESL's.
    2. Of course I suggest checking out Stereophile and Absolute Sound etc.
    3. I do that to people I don't like. There are lots of decent HiFi dealers here on the East Coast so they can save on plane tickets.The money is better spent on gear.
    4. I always do that
    5. I take him around to my fellow audio buddies so he can hear their systems.
    ARC SP9 MKIII, VPI HW19, Rega RB300
    Marcof PPA1, Shure, Sumiko, Ortofon carts, Yamaha DVD-S1800
    Behringer UCA222, Emotiva XDA-2, HiFimeDIY
    Accuphase T101, Teac V-7010, Nak ZX-7. LX-5, Behringer DSP1124P
    Front: Magnepan 1.7, DBX 223SX, 2 modified Dynaco MK3's, 2, 12" DIY TL subs (Pass El-Pipe-O) 2 bridged Crown XLS-402
    Rear/HT: Emotiva UMC200, Acoustat Model 1/SPW-1, Behringer CX2310, 2 Adcom GFA-545

  14. #64
    Music Junkie E-Stat's Avatar
    Join Date
    Dec 2003
    Posts
    5,462
    Quote Originally Posted by RGA
    No - what you are saying is to design equipment requires no listening whatsoever but merely calculations from a textbook.
    Leon Kuby, designer of many a Harman-Kardon Citation classic had some interesting comments about that topic. I cited some of his quotes from an old TAS review here. You were on that thread as well in a different area.

    rw

Page 3 of 3 FirstFirst 1 2 3

Thread Information

Users Browsing this Thread

There are currently 1 users browsing this thread. (0 members and 1 guests)

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •