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  1. #1
    _ Luvin Da Blues's Avatar
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    Quote Originally Posted by JoeE SP9
    I had a copper rod that was the right diameter. I cut 2 pieces fuse length and replaced the fuses in my Spectra's. They've been that way for the last 8 years or so. The Model 1's got the same treatment when I got them 4 years ago.
    So any spike above1000 amps yer good then.
    Back in my day, we had nine planets.

  2. #2
    _ Luvin Da Blues's Avatar
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    It would be interesting to rig up a 2 cct fuse block and SPDT switch to do a blind A/B test.
    Back in my day, we had nine planets.

  3. #3
    Phila combat zone JoeE SP9's Avatar
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    Quote Originally Posted by Luvin Da Blues
    So any spike above1000 amps yer good then.
    If a spike that big comes through nothing will be good!
    ARC SP9 MKIII, VPI HW19, Rega RB300
    Marcof PPA1, Shure, Sumiko, Ortofon carts, Yamaha DVD-S1800
    Behringer UCA222, Emotiva XDA-2, HiFimeDIY
    Accuphase T101, Teac V-7010, Nak ZX-7. LX-5, Behringer DSP1124P
    Front: Magnepan 1.7, DBX 223SX, 2 modified Dynaco MK3's, 2, 12" DIY TL subs (Pass El-Pipe-O) 2 bridged Crown XLS-402
    Rear/HT: Emotiva UMC200, Acoustat Model 1/SPW-1, Behringer CX2310, 2 Adcom GFA-545

  4. #4
    _ Luvin Da Blues's Avatar
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    Quote Originally Posted by JoeE SP9
    If a spike that big comes through nothing will be good!
    Percisely, there's absolutely no protection below that level.
    Back in my day, we had nine planets.

  5. #5
    Phila combat zone JoeE SP9's Avatar
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    Quote Originally Posted by Luvin Da Blues
    Percisely, there's absolutely no protection below that level.
    My ESL's don't need any protection. Even if my amps break and put out pure DC the transformer coupled "stats" won't be hurt.
    ARC SP9 MKIII, VPI HW19, Rega RB300
    Marcof PPA1, Shure, Sumiko, Ortofon carts, Yamaha DVD-S1800
    Behringer UCA222, Emotiva XDA-2, HiFimeDIY
    Accuphase T101, Teac V-7010, Nak ZX-7. LX-5, Behringer DSP1124P
    Front: Magnepan 1.7, DBX 223SX, 2 modified Dynaco MK3's, 2, 12" DIY TL subs (Pass El-Pipe-O) 2 bridged Crown XLS-402
    Rear/HT: Emotiva UMC200, Acoustat Model 1/SPW-1, Behringer CX2310, 2 Adcom GFA-545

  6. #6
    Aging Smartass
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    Two of my friends were over my house last night for dinner, and went into my "music room" to listen to my system. I told them I had "done something" to the system, but didn't tell them what it was, and just asked them to listen and see if they heard anything different. One, who hadn't heard the system in quite some time, said that it sounded great before, and still sounds great, but couldn't tell if anything was different.

    The other, who had only heard it a few days ago, listened intently to the first movement of Morten Lauridsen's "Lux Aeterna," and immediately noticed a difference, stating that he was far better able to hear each individual voice of the choir members, and that it sounded more "alive," especially as it got louder and louder. When I told him that all I did was replace fuses, he was quite surprised. He was also more than a bit surprised at the price of the fuses, but agreed that overall, $200 was a small price to pay for such an improvement.

    I don't work for the manufacturer of the "Hi-Fi Tuning" fuses, nor do I have anything to gain whatsoever by recommending them. I also find the "cryogenically-tested" statement from the manufacturer more like science-fiction "B" movie mumbo-jumbo dialog than anything else, just as I found the nonsense from the manufacturer of the "Achromat" turntable mat all about molecular "bubbles" making the mat work as it does rather silly. I have to agree though, that both the fuses and that mat make a difference, and honestly, that's really all that matters.

  7. #7
    Shostakovich fan Feanor's Avatar
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    Quote Originally Posted by emaidel
    Two of my friends were over my house last night for dinner, and went into my "music room" to listen to my system. I told them I had "done something" to the system, but didn't tell them what it was, and just asked them to listen and see if they heard anything different. One, who hadn't heard the system in quite some time, said that it sounded great before, and still sounds great, but couldn't tell if anything was different.

    The other, who had only heard it a few days ago, listened intently to the first movement of Morten Lauridsen's "Lux Aeterna," and immediately noticed a difference, ...
    How do you like the Lauridsen recording? It's been well reviewed I believe.

  8. #8
    Aging Smartass
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    Quote Originally Posted by Feanor
    How do you like the Lauridsen recording? It's been well reviewed I believe.
    I like it a great deal. Aside from a splendid performance, the sound is lush and full, and hardly characteristic of what some call "digital glare." And yes, it was well reviewed, and even had a Grammy nomination, though it didn't win.

    Both of my guests last night have sung the piece numerous times before, and were quite impressed with the recording. I will be singing it this November as part of the Spartanburg Festival Chorus's fall performance. One of my two guests sings in the chorus, and the other is actually the conductor, and a doctor of music at Converse College here in Spartanburg, SC. He owns the disc himself, but was stunned at how good it sounded on my system, and is determined to upgrade his (all late 70's to mid 80's vintage stuff).

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