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  1. #1
    Forum Regular blackraven's Avatar
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    Congrats on a very good TT. You will eventually want to upgrade the cartridge and phono preamp to get the best sound.

    Vinyl just sounds different compared to digital. It is smoother and generally much more satisfying. But bad vinyl just like bad digital recordings sound bad.

    I have an audiophile friend who is in his early 30's and he is heavily into computer digital music. He had never heard vinyl until he came over to my house and he fell in love with vinyl and how it sounds. He is now wanting a TT.

    I have to say that good digital is very satisfying especially since I discovered that computer based music with an excellent player like "Bug Head" (which makes JRiver sound low fi and HQ Player sound mid fi in comparison) and a great DAC blows SACD out of the water and it can give Vinyl a run for the money.
    Pass Labs X250 amp, BAT Vk-51se Preamp,
    Thorens TD-145 TT, Bellari phono preamp, Nagaoka MP-200 Cartridge
    Magnepan QR1.6 speakers
    Luxman DA-06 DAC
    Van Alstine Ultra Plus Hybrid Tube DAC
    Dual Martin Logan Original Dynamo Subs
    Parasound A21 amp
    Vintage Luxman T-110 tuner
    Magnepan MMG's, Grant Fidelity DAC-11, Class D CDA254 amp
    Monitor Audio S1 speakers, PSB B6 speakers
    Vintage Technic's Integrated amp
    Music Hall 25.2 CDP
    Adcom GFR 700 AVR
    Cables- Cardas, Silnote, BJC
    Velodyne CHT 8 sub

  2. #2
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    Quote Originally Posted by blackraven View Post
    Congrats on a very good TT. You will eventually want to upgrade the cartridge and phono preamp to get the best sound.

    Vinyl just sounds different compared to digital. It is smoother and generally much more satisfying. But bad vinyl just like bad digital recordings sound bad.

    I have an audiophile friend who is in his early 30's and he is heavily into computer digital music. He had never heard vinyl until he came over to my house and he fell in love with vinyl and how it sounds. He is now wanting a TT.

    I have to say that good digital is very satisfying especially since I discovered that computer based music with an excellent player like "Bug Head" (which makes JRiver sound low fi and HQ Player sound mid fi in comparison) and a great DAC blows SACD out of the water and it can give Vinyl a run for the money.

    Damn - now I have to learn about DAC's and Bug Heads. This can get costly.

  3. #3
    Forum Regular blackraven's Avatar
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    Bug Head is a free program that processes music and brings out the best in it. It was developed by a Japanese genius. There are other programs such as JRiver, HQ Player and several others. Most you have to pay for. JR has the best music library for cataloging your music. It does other things like burning and ripping your music. These programs allow you to up convert your music to hi rez. I have not used all of the programs but from my experience and to the experience of others, Bug Head is way above the rest.

    Bug Head requires a computer with a little horse power. You can run it with a good I-3 processor and 4 gigs of ram. It is a ram intensive program and it sounds its best with 8 gigs or higher (note it still sounds great with 4gigs, I just upgraded to 16 from 8 and it does improve the sound). BH also recommends a quad core I-7. I was using a computer with an I-3 that runs at 2.5gHz and 4 gb ram and it ran well. I now have a computer with a 5th gen mobile I-7 which is only a dual core and I have not noticed any difference in sound. You probably can run it with an older high end dual or quad core cpu.

    Bug head


    Infinity Blade HQ (Bug Head Emperor) worth trying - Computer Audio - JPLAY - hi-end audio player for Windows
    Pass Labs X250 amp, BAT Vk-51se Preamp,
    Thorens TD-145 TT, Bellari phono preamp, Nagaoka MP-200 Cartridge
    Magnepan QR1.6 speakers
    Luxman DA-06 DAC
    Van Alstine Ultra Plus Hybrid Tube DAC
    Dual Martin Logan Original Dynamo Subs
    Parasound A21 amp
    Vintage Luxman T-110 tuner
    Magnepan MMG's, Grant Fidelity DAC-11, Class D CDA254 amp
    Monitor Audio S1 speakers, PSB B6 speakers
    Vintage Technic's Integrated amp
    Music Hall 25.2 CDP
    Adcom GFR 700 AVR
    Cables- Cardas, Silnote, BJC
    Velodyne CHT 8 sub

  4. #4
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    Quote Originally Posted by blackraven View Post
    Bug Head is a free program that processes music and brings out the best in it. It was developed by a Japanese genius. There are other programs such as JRiver, HQ Player and several others. Most you have to pay for. JR has the best music library for cataloging your music. It does other things like burning and ripping your music. These programs allow you to up convert your music to hi rez. I have not used all of the programs but from my experience and to the experience of others, Bug Head is way above the rest.

    Bug Head requires a computer with a little horse power. You can run it with a good I-3 processor and 4 gigs of ram. It is a ram intensive program and it sounds its best with 8 gigs or higher (note it still sounds great with 4gigs, I just upgraded to 16 from 8 and it does improve the sound). BH also recommends a quad core I-7. I was using a computer with an I-3 that runs at 2.5gHz and 4 gb ram and it ran well. I now have a computer with a 5th gen mobile I-7 which is only a dual core and I have not noticed any difference in sound. You probably can run it with an older high end dual or quad core cpu.

    Bug head


    Infinity Blade HQ (Bug Head Emperor) worth trying - Computer Audio - JPLAY - hi-end audio player for Windows
    I am now bleeding from my ears. Luddites are more technically sophisticated than I am. I do have a four year old nephew that might be able to help me navigate this. Gaming for me generally involved quarters, flippers and not going tilt. But I will start reading up on this.

  5. #5
    Forum Regular blackraven's Avatar
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    If you need help with computer programs, let me know. Also, if you are interested in a DAC (which you will need if you want to get into computer music) or if you want to rip your non SACD Cd's to your computer and run them through a program like Bug Head which will markedly improve the sound I would be glad to help.
    Pass Labs X250 amp, BAT Vk-51se Preamp,
    Thorens TD-145 TT, Bellari phono preamp, Nagaoka MP-200 Cartridge
    Magnepan QR1.6 speakers
    Luxman DA-06 DAC
    Van Alstine Ultra Plus Hybrid Tube DAC
    Dual Martin Logan Original Dynamo Subs
    Parasound A21 amp
    Vintage Luxman T-110 tuner
    Magnepan MMG's, Grant Fidelity DAC-11, Class D CDA254 amp
    Monitor Audio S1 speakers, PSB B6 speakers
    Vintage Technic's Integrated amp
    Music Hall 25.2 CDP
    Adcom GFR 700 AVR
    Cables- Cardas, Silnote, BJC
    Velodyne CHT 8 sub

  6. #6
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    Quote Originally Posted by blackraven View Post
    If you need help with computer programs, let me know. Also, if you are interested in a DAC (which you will need if you want to get into computer music) or if you want to rip your non SACD Cd's to your computer and run them through a program like Bug Head which will markedly improve the sound I would be glad to help.
    Thanks for the offer. This whole audio journey started with the purchase of a FIIO X3 and a pair of Sennheiser 598's last spring. Shortly thereafter I learned about lossless files and transferred about 200 CD's to my computer in this format, as well as to the FIIO. I then found a great deal on a pair of Sennheiser HD700's and also purchased a JDS Labs O2+ODAC that I used between my laptop and HP's. Sound was fantastic, but I felt constrained by the setup, so began my search to put together a modest loudspeaker based system. I currently use the HD700's through my IA when the family says I am too loud.

    I believe my Marantz SA8004 SACD player also has a built in DAC. It has a USB port on the front. I also purchased a Marantz PM7005 which definitely has a built in DAC, but I have lent it to a friend who has decided he wants a system too. I replaced it with a PM8005.

    Perhaps I have an ability to listen to lossless files through the equipment I have. Not sure how head Bug integrates into all this though. My laptop is I3 based with , I believe, 4G of RAM. I just am not sure what the difference is between "Hi Rez" and Lossless file - I know the lossless take up a bunch of space, as I could only get about half as much capacity on the 64gb card in my FIIO.

  7. #7
    Phila combat zone JoeE SP9's Avatar
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    All CD and SACD players have a built in DAC or DAC's. All music files can be compressed. There are lossy and lossless compression schemes. MP3 is a lossy scheme. FLAC is a lossless scheme. Lossless files take up more space because non of the music is discarded. Lossy compression discards some of the music. That allows the files to be smaller.

    Hi Rez files are higher resolution (24/96 for example) than standard Redbook CD files (16/44). Either type of file can be compressed with either a lossy or lossless scheme. However, IMO it makes little sense to use lossy compression at home with storage space so inexpensive. OTOH lossy compression for portable listening makes sense to me. I use FLAC for all the music on my music server at home. For portable listening I use MP3. IMO the higher quality of FLAC is pretty much wasted on portable listening. Bear in mind this is from someone who only uses headphones for on the go listening.
    ARC SP9 MKIII, VPI HW19, Rega RB300
    Marcof PPA1, Shure, Sumiko, Ortofon carts, Yamaha DVD-S1800
    Behringer UCA222, Emotiva XDA-2, HiFimeDIY
    Accuphase T101, Teac V-7010, Nak ZX-7. LX-5, Behringer DSP1124P
    Front: Magnepan 1.7, DBX 223SX, 2 modified Dynaco MK3's, 2, 12" DIY TL subs (Pass El-Pipe-O) 2 bridged Crown XLS-402
    Rear/HT: Emotiva UMC200, Acoustat Model 1/SPW-1, Behringer CX2310, 2 Adcom GFA-545

  8. #8
    Shostakovich fan Feanor's Avatar
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    Quote Originally Posted by blackraven View Post
    Congrats on a very good TT. You will eventually want to upgrade the cartridge and phono preamp to get the best sound.

    Vinyl just sounds different compared to digital. It is smoother and generally much more satisfying. But bad vinyl just like bad digital recordings sound bad.

    I have an audiophile friend who is in his early 30's and he is heavily into computer digital music. He had never heard vinyl until he came over to my house and he fell in love with vinyl and how it sounds. He is now wanting a TT.

    I have to say that good digital is very satisfying especially since I discovered that computer based music with an excellent player like "Bug Head" (which makes JRiver sound low fi and HQ Player sound mid fi in comparison) and a great DAC blows SACD out of the water and it can give Vinyl a run for the money.
    I haven't listened to vinyl for 3-4 years even though my hi-fi experience dates back to the time vinyl and tape were the only options. The TT is somewhere in the basement gathering dust.

    Yes, vinyl may sound different from the same recording in digital form. One reason is that the vinyl version is likely mastered differently than the digital. Notoriously, the digital versions are often more compress so that they are more playable on, e.g., portable players.

    Personally I listen almost entirely classical music. New classical recordings on vinyl are very rare, i.e. your selection will be very limited if you want to have only vinyl. Anyway, compression is less often used for classical music or used to a lessor extent. High-resolution media make compression technically obsolete.

  9. #9
    Forum Regular blackraven's Avatar
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    Feanor, when I play good vinyl and compare it to the same digital recording of good quality, vinyl wins out even with my humble analog system. Using a 1970's Thorens TD-145, Nagaoka MP-200 cartridge and a Bellari VP-129 phono preamp with a fairly rare Vintage Raytheon 1950's black plate tube.

    Vinyl sound more real and it is detailed and smooth at the same time. My analog system has no edge to the music. Even my friends that do not have vinyl are very impressed.
    Pass Labs X250 amp, BAT Vk-51se Preamp,
    Thorens TD-145 TT, Bellari phono preamp, Nagaoka MP-200 Cartridge
    Magnepan QR1.6 speakers
    Luxman DA-06 DAC
    Van Alstine Ultra Plus Hybrid Tube DAC
    Dual Martin Logan Original Dynamo Subs
    Parasound A21 amp
    Vintage Luxman T-110 tuner
    Magnepan MMG's, Grant Fidelity DAC-11, Class D CDA254 amp
    Monitor Audio S1 speakers, PSB B6 speakers
    Vintage Technic's Integrated amp
    Music Hall 25.2 CDP
    Adcom GFR 700 AVR
    Cables- Cardas, Silnote, BJC
    Velodyne CHT 8 sub

  10. #10
    Forum Regular Jack in Wilmington's Avatar
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    Quote Originally Posted by blackraven View Post
    Feanor, when I play good vinyl and compare it to the same digital recording of good quality, vinyl wins out even with my humble analog system. Using a 1970's Thorens TD-145, Nagaoka MP-200 cartridge and a Bellari VP-129 phono preamp with a fairly rare Vintage Raytheon 1950's black plate tube.

    Vinyl sound more real and it is detailed and smooth at the same time. My analog system has no edge to the music. Even my friends that do not have vinyl are very impressed.
    Some of that I'd attribute to the other first rate equipment that you have. That maybe makes the vinyl sound better than the guy with a VPI Classic TT hooked to a Pioneer receiver running Polk speakers just as an example.
    2 Channel System
    Dynaudio Contour 1.8 Mk II
    Pass Labs X150.5 (Amp)
    Cary SLP-03 (Preamp)
    Music Hall MMF 5.1 (TT)
    Goldring 1012GX (Cart.)
    Pro-ject SE II (Phono Box)
    Rotel RCD-1072 (CD Player)
    Bryston BDA-1 ( DAC )
    Sennheiser HD-600 (Headphones)
    Musical Fidelity Xcan V3 (Headphone Amp) _

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  11. #11
    Forum Regular blackraven's Avatar
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    Quote Originally Posted by Jack in Wilmington View Post
    Some of that I'd attribute to the other first rate equipment that you have. That maybe makes the vinyl sound better than the guy with a VPI Classic TT hooked to a Pioneer receiver running Polk speakers just as an example.

    Agreed. I am currently listening to Dire Straits Brothers in Arms on vinyl and the is much punchier and the drums sound more real. Bass seems more dynamic and hits harder than any DAC that I have had in my system and I have had several that cost $3K to $6K in my system.

    I would love to have a $2K TT and a $1K phono pre along with a Nagaoka MP-500, Ortofon Black, or Clear Audio Maestro to hear how much better it could be.
    Pass Labs X250 amp, BAT Vk-51se Preamp,
    Thorens TD-145 TT, Bellari phono preamp, Nagaoka MP-200 Cartridge
    Magnepan QR1.6 speakers
    Luxman DA-06 DAC
    Van Alstine Ultra Plus Hybrid Tube DAC
    Dual Martin Logan Original Dynamo Subs
    Parasound A21 amp
    Vintage Luxman T-110 tuner
    Magnepan MMG's, Grant Fidelity DAC-11, Class D CDA254 amp
    Monitor Audio S1 speakers, PSB B6 speakers
    Vintage Technic's Integrated amp
    Music Hall 25.2 CDP
    Adcom GFR 700 AVR
    Cables- Cardas, Silnote, BJC
    Velodyne CHT 8 sub

  12. #12
    Forum Regular hifitommy's Avatar
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    i have to agree 100% on the dire straits. BIA was my first cd played on the very good magnavox player i got at target for $140! i was in heaven, the BIA cd was WONDERFUL and then one day, in the used pile was the BIA LP. i figured that for a BUCK, it can't be a bad purchase.

    i had no expectations but i didn't expect the vinyl to be SO much better than the cd, which STILL was damn good. but there it was. so much more THERE there and yes, more impact.

    i did NOT dump my LPs for vinyl, i just figured that like cassette and open reel tape, it was another medium to add to the hifi. many that did dump there LPs made it possible for me to have so many great recordings for cheap.
    ...regards...tr

  13. #13
    Phila combat zone JoeE SP9's Avatar
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    Quote Originally Posted by hifitommy View Post
    i did NOT dump my LPs for vinyl, i just figured that like cassette and open reel tape, it was another medium to add to the hifi. many that did dump there LPs made it possible for me to have so many great recordings for cheap.
    You and I! I acquired a lot of LP's from people dumping them for "perfect sound forever".
    ARC SP9 MKIII, VPI HW19, Rega RB300
    Marcof PPA1, Shure, Sumiko, Ortofon carts, Yamaha DVD-S1800
    Behringer UCA222, Emotiva XDA-2, HiFimeDIY
    Accuphase T101, Teac V-7010, Nak ZX-7. LX-5, Behringer DSP1124P
    Front: Magnepan 1.7, DBX 223SX, 2 modified Dynaco MK3's, 2, 12" DIY TL subs (Pass El-Pipe-O) 2 bridged Crown XLS-402
    Rear/HT: Emotiva UMC200, Acoustat Model 1/SPW-1, Behringer CX2310, 2 Adcom GFA-545

  14. #14
    Shostakovich fan Feanor's Avatar
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    Perhaps you vinylheads ought to try ripping you LPs to hi-rez digital. I've heard many people report over the years that the rips sound capture the essential quality of vinyl virtually perfectly ... Which tends to demonstrate that the digital / CD difference is largely in the mastering.

    And I've always maintained that the sound of individual recordings, as a result of their recording & mastering, make far more difference than the distribution medium. (You are aware that many late LPs were recorded digitally, no?)

    Some people feel completely differently than me: they actually enjoy the rituals of handling LPs, viz. pulling the large album sleeves and removing the disc being ever so careful to keep one's fingers of the playing surface, meticulously cleaning the disc before use, destaticing, placing on the TT, perhaps placing the disc weight and/or the dust catching device, lowering ever so carefully the tonearm & cartridge, listening to clicks & pops, ever so carefully raising the tonearm after 20 minutes of listening, destaticing again and/or blowing playtime dust from the disc, replacing the disc in the sleeve being ever so careful to keep fingers off. AND of course the problems of setting up the TT, attaching & adjusting the cartridge and setting tracking force, choosing the right impedance for the phono preamp, and blah yada.

    All these things are of ill memory for me, albeit they were and are a joy for others.

    I have about 100 LPs lying around still. I've offered to sell them for a buck a piece plus shipping; nobody has taken up the offer.

  15. #15
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    Quote Originally Posted by Feanor View Post
    Perhaps you vinylheads ought to try ripping you LPs to hi-rez digital. I've heard many people report over the years that the rips sound capture the essential quality of vinyl virtually perfectly ... Which tends to demonstrate that the digital / CD difference is largely in the mastering.

    And I've always maintained that the sound of individual recordings, as a result of their recording & mastering, make far more difference than the distribution medium. (You are aware that many late LPs were recorded digitally, no?)

    Some people feel completely differently than me: they actually enjoy the rituals of handling LPs, viz. pulling the large album sleeves and removing the disc being ever so careful to keep one's fingers of the playing surface, meticulously cleaning the disc before use, destaticing, placing on the TT, perhaps placing the disc weight and/or the dust catching device, lowering ever so carefully the tonearm & cartridge, listening to clicks & pops, ever so carefully raising the tonearm after 20 minutes of listening, destaticing again and/or blowing playtime dust from the disc, replacing the disc in the sleeve being ever so careful to keep fingers off. AND of course the problems of setting up the TT, attaching & adjusting the cartridge and setting tracking force, choosing the right impedance for the phono preamp, and blah yada.

    All these things are of ill memory for me, albeit they were and are a joy for others.

    I have about 100 LPs lying around still. I've offered to sell them for a buck a piece plus shipping; nobody has taken up the offer.
    I tend to agree that the mastering is a distinguishing factor in SQ vs media. To that end, as a newbie vinyl guy, I have limited my purchases of vinyl to pressings where I can read up on the mastering process befre I buy. I limit myself to new (ie unopened) albums and I doubt my collection will be much more than 100 albums due to this constraint. Essentially if it is digitally mastered, I will seek out the best digital version. I know a couple of digital / analogue albums are in my collection - most of these were gifts and I still enjoy listening to them.

    As for the ritual of listening, my wife says it has improved my patience and all the tender care has made me a better lover...
    Marantz PM 11S3 Integrated Amp
    Marantz SA 8004 SACD Player
    Music Hall MMF 9.1 turntable
    Focal Chorus 836V speakers
    Focal Chorus SW 800v subwoofer
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    VPI Turntable interconnect
    Sennheiser HD-700 headphones

  16. #16
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    To the OP, The Grado cartridge is what they call a moving iron cartridge,it's still in the MM designation, but will have a different sound to it. Some say more 3D and tube like. It definitely will give a better sound stage in my opinion. I own 2 Dual turntables that I restored fully. A 1229Q and a 701. I use several different cartridges on them. I have a Stanton 881S MKII, Stanton 881S, Stanton 681EEE with a Jico D6800EEE Shibata, Shure V-15 III with Jico SAS VN35E stylus as well as the original VN35E stylus, Shure 1000E, Shure M91ED, Pickering XV-15 with D4500 Jico shibata stylus, and Ortofon VMS 30E MKII with Jico stylus,Ortofon OM40 and OM30. The Ortofon VMS 30E MKII and Stanton 681EEE are both moving iron cartridges and the rest are moving magnet. In my opinion the MM are slightly laid back a little in the bass department. I find myself coming back to the Ortofon and 681 more than the others as I get a better sound stage and imaging with them. I also use a tube amp.

    I would look at half speed issues with records as well as looking at Mobil Fidelity and Music Magic for the type of records you are looking to buy. Also look at discogs and don't limit yourself to only unopened music as you will lose the real quality on vinyl from re-issues that have been tinkered with. Any record that has been "cleaned up" digitally, is now a digital remix and loses that sound quality. Again just my opinion. I just recently got back into vinyl over the last 15 months and after ruining my old collection of over 1200 records,had to start over with only 50 that were salvageable. I now have about 800 and do the same as you, I purchase things that remind me of times gone by. I have 1400+ cds that I uploaded onto my computer and did them in FLAC and put them on an external HD and use the hard drive through JRIVER. But my vinyl is what I find myself playing with more. You'll be surprised by what you can find when going to a Goodwill store or something similar in quality and shape. Invest in a record cleaner as well and make sure to keep your stylus clean and as long as you keep up with things should have a lifetime of listening pleasure.

    When and if you get into MC you'll have the choice of low output and high output. You'll need a step up transformer or an external phono pre amp that does both MM/MC or just MC. The only MC I have tried so far is a high output Denon DL-110 and I didn't like it at all. I am however looking into getting a nice low output MC cartridge to try out.
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  17. #17
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    I know what you mean on remasters. At first listen I really liked the Led Zeppilin remasters Jimmy Page did in 2014, I still do prefer them, but when going back to the old original recording there are some textures missing, I really notice when paying close attention to the acoustic guitar work.

    Buyine used LP's is always a gamble, whether they will be noisy. They used to be cheap enough the gamble didn't matter but now that vinyl is coming back, the prices are going up

    Also, Jim you may want to experiment with better DAC's for your computer playback. Schitt is getting a good rep for making incredible sound on the cheap. A U.S. company.
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  18. #18
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    Quote Originally Posted by James Frace View Post
    To the OP, The Grado cartridge is what they call a moving iron cartridge,it's still in the MM designation, but will have a different sound to it. Some say more 3D and tube like. It definitely will give a better sound stage in my opinion. I own 2 Dual turntables that I restored fully. A 1229Q and a 701. I use several different cartridges on them. I have a Stanton 881S MKII, Stanton 881S, Stanton 681EEE with a Jico D6800EEE Shibata, Shure V-15 III with Jico SAS VN35E stylus as well as the original VN35E stylus, Shure 1000E, Shure M91ED, Pickering XV-15 with D4500 Jico shibata stylus, and Ortofon VMS 30E MKII with Jico stylus,Ortofon OM40 and OM30. The Ortofon VMS 30E MKII and Stanton 681EEE are both moving iron cartridges and the rest are moving magnet. In my opinion the MM are slightly laid back a little in the bass department. I find myself coming back to the Ortofon and 681 more than the others as I get a better sound stage and imaging with them. I also use a tube amp.

    I would look at half speed issues with records as well as looking at Mobil Fidelity and Music Magic for the type of records you are looking to buy. Also look at discogs and don't limit yourself to only unopened music as you will lose the real quality on vinyl from re-issues that have been tinkered with. Any record that has been "cleaned up" digitally, is now a digital remix and loses that sound quality. Again just my opinion. I just recently got back into vinyl over the last 15 months and after ruining my old collection of over 1200 records,had to start over with only 50 that were salvageable. I now have about 800 and do the same as you, I purchase things that remind me of times gone by. I have 1400+ cds that I uploaded onto my computer and did them in FLAC and put them on an external HD and use the hard drive through JRIVER. But my vinyl is what I find myself playing with more. You'll be surprised by what you can find when going to a Goodwill store or something similar in quality and shape. Invest in a record cleaner as well and make sure to keep your stylus clean and as long as you keep up with things should have a lifetime of listening pleasure.

    When and if you get into MC you'll have the choice of low output and high output. You'll need a step up transformer or an external phono pre amp that does both MM/MC or just MC. The only MC I have tried so far is a high output Denon DL-110 and I didn't like it at all. I am however looking into getting a nice low output MC cartridge to try out.
    I am enjoying the Grado Gold for now. I did pick up a Dynavector 10x5 cart but still a little intimidated about doing an install on my own.

    I have been on a bit of a buying spree in the last two months ( assuming 95 albums count as a spree). In almost all cases, these are both albums I listened to in my youth and that have some or a lot of information about the mastering / pressing quality. Overall they tend to be as gooid as or better representations of the original music than the CD equivalent ( at least in the minds of others). I am close to slowing down at this point , as I have months of listening ahead of me with these new acquisitions.

    We do have a pretty decent record venue in our area (Newbury Comics) that buys extensive record collections. That notwithstanding, the better used record are still $9 - $10 dollars (They have $.99 bins but no guarantee of condition). By careful shopping, I am averaging about $18 per album for new records, and, given my investment in source equipment, prefer to have the quietest vinyl I can find. I have hundreds of CD's and quite a few SACd's and XRCD's, most of which have cost between $3 and $10 each, so unless the vinyl sounds "better", I buy the CD.

    A few remasters with digital in the chain are included in my recent purchases, but these albums still satisfy my need to " return to my youth". As I recently told my 16 year old daughter ( I was a late bloomer), try to imagine your life without a computer - my generation felt the same about record players. So go spin LZ I and remember the day you brought it home for the first time back in '69.
    Marantz PM 11S3 Integrated Amp
    Marantz SA 8004 SACD Player
    Music Hall MMF 9.1 turntable
    Focal Chorus 836V speakers
    Focal Chorus SW 800v subwoofer
    Acoustic Zen Satori speaker cables
    AZ WOW interconnects
    AZ El Nino power cables
    VPI Turntable interconnect
    Sennheiser HD-700 headphones

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