Quote Originally Posted by audio amateur
You could almost buy a lifetime of tickets to the real thing with that kind of money...
There is a point where the diminishing returns are outweighed by the lack of value that you're actually getting. If you can afford $350K, then why not go see the real orchestra every weekend for the rest of your life rather than try to reproduce it in your living room? These MIT cables are such a product, where the diminishing returns aren't even the issue anymore, compared to the absolute lunacy of spending that much on cables for fantasy technology, IMO.

And what is this technology anyhow? What can possibly be worth $35K in a cable? We're not talking about a piece of Lamm gear here, we're talking about a cable! Even if they were made of solid platinum and the box dangling off of them had a full PCB with the most expensive parts, I still fail to see how that would amount to $35K. Someone please explain to me what kind of magic these cables can produce that a top-of-the-line cable from a more realistic manufacturer can produce. What is MIT doing that the other guys are not? Do these cables really sound better or just an ever so slight nudge different? Or is that margin of supposed superiority just snake-oil?