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  1. #1
    Forum Regular audio amateur's Avatar
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    Off-wall, like any dipole really. They need room to breath which means that they're needs to be some room between the speaker and the wall.

  2. #2
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    Perhaps some of you can enlighten me on what sort of depth perception to expect: I can clearly distinguish between close, somewhere in the middle and far behind, presumably from how clear and intense the sound is. No problems with locating instruments from left to right. In fact, I don`t always get the main vocals dead in the middle!
    Another funny thing: listening the next day, I almost always find something is off and try to correct it. Obviously with my non symmetric arrangement, the toe in is not identical.
    After all these weeks, the results are heartwarming.
    By placing the speakers on top of the subwoofers ( the arrangement looks like a Martin Logan ESL now , panel on top of woofer unit ) I´ve managed to overcome a couple of problems (or at least masked them) : Some sounds and certain vocals seemed to be coming from very near the floor, giving me a not so realistic feeling. These floorstanding speakers are slanting at an angle.
    I use the system to watch normal TV as well, and am always trying to pick out what is not in the right place.

  3. #3
    Phila combat zone JoeE SP9's Avatar
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    The depth of the sound-stage is highly dependant on the recording. Most popular music recordings are done with multi-tracking and dubbed and re-dubbed. They have little or no depth, although they usually have a very good left right spread. Generally Classical and Jazz (not smooth jazz) have a decent sound-stage because minimal miking and overdubbing is used. If you play vinyl, any Direct to Disc recording will have a very good and deep sound-stage. They are usually recorded with minimal miking and no studio overdubbing. An excellent example of a deep sound-stage on a CD is Jacintha, Here's To Ben, Groove Note GRV1001-2. It was recorded live to analog two track tape and the CD was mastered from that two channel tape. This CD sounds like there is a room 30 ft deep and 20 feet wide where my speakers used to be. To some the word analog may be a turn off. I hear no tape hiss whatsoever in this recording. What I hear is a group of musicians with a very good singer performing in a moderately large room

    With your ESL's on top of your subs and tilted back you may be out of the direct sound field. You may need to set your speakers up with no tilt. A lot of the sound seeming to come from very low could be an indicator of too high a crossover frequency.

    How tall are your subs?
    What crossover frequency are you using?
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  4. #4
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    The subs stand 14 in (about 36 cm) tall and the crossover is around 100 Hz ( selected automatically by the Final Receiver ).
    You have a point there regarding direct sound due to the tilt of the ESL. I will have to try that and the diffuser pipes as well. At the moment the tilt is probably reducing the comb filter effect, but the center of the ESL beams well above my head. With the speakers on the floor, certain sounds seem to be coming from the bottom, but now that is no longer the case. So, I am trying to solve as many different effects as possible.
    These improvements have to be enjoyed, and I end up sleeping less!

  5. #5
    Phila combat zone JoeE SP9's Avatar
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    100 Hz is probably a good point for the crossover. The tilt at that height will put you out of the direct sound field. ESL's have very Little dispersion above and below the diaphragms. The level on the subs may be too high. A good starting point is to turn them up until you can just hear them as separate sound sources and then turn them down a bit. Ideally a Sound Pressure Level Meter like the Radio Shack unit and a CD, LP or PC program is the best way to dial in sub-woofer levels.
    ARC SP9 MKIII, VPI HW19, Rega RB300
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  6. #6
    Silence of the spam Site Moderator Geoffcin's Avatar
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    I can comment on maggies mounted on wall, as that's exactly as I have them in my main 7.2 HT. The MC1's I have wall mounted work very well as surround speakers and are infinitely adjustable as to their directionality. Bass falls off below 100Hz quickly, but they provide a much more expansive soundfield compared to any monopole speakers I've ever heard.

    The setup shown for the front wall is the correct way to set them if your going to use a multiple MC1 setup on the front wall. It appears non-traditional for maggies, but I assure you it produces a planar type of sound field. With two MC1's as a center the focus for dialog can be quite good across a large seating area. My system doesn't lend itselt to use suce a placement strategy, but I would not discount how good it could sound compared to my CC3.
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  7. #7
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    With the Finals as far out as the little woman would allow and the subs directly behind them, I got a taste of a sonic scenario that I thought was only found in reviews and other people´s listening rooms. With eyes closed and the lights turned off, it did´nt need much effort to place instruments around an imaginary stage, the distances being relative obviously, since one would presume that the distance between speakers limits the width of the stage. There were a couple of drawbacks though: some sounds and certain vocals seemed to to coming from the bottom of the speakers giving an unnatural feeling.
    I placed the panels on top of the subwoofers to eliminate the problems, but the Iron Lady would not permit the Martin Logan lookalike arrangement that far out from the back wall. Not very excited with sound produced, I turned the slanting panels around to face the back wall and changed the polarity of the speaker wires.
    Initially the sound did not please me, but I kept changing the distance to the back wall within the limits and spent a lot of time with the toe in to get it right. The soundstage is now comparable to my previous best, but it lacks a little in locating cues. I could get a better feel of distances with the first arrangement. I dare say that there must be a lot more ceiling reflections present now....... I had better get to work on the diffusers!!

  8. #8
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    My 2 cents

    I've had my mmgs for 12 or more years now I think. Bought them say 6 months after they came out. They are heavily modded (some I am pretty sure only I have done) and while it is easy to dismiss them I have had a 1.6 owner over to listen who agreed that the modded mags beat his stock 1.6s handedly. (And that was in the first setup I will describe below.)

    Lots of different rooms and listening setups.

    I agree with alot of the advice here. Like having them vertical and away from the back wall. IMHO all that is a must.

    Though I have left the "normal" setup along time ago. Never liked any toe in when I was running a normal setup either.

    FOr the longest time I had a nearfield and sideways setup with the speakers facing each other:
    http://usr.audioasylum.com/images/2/..._10.22.096.JPG

    Listening to the backs of the speaker this setup was less "Hifi" and more like music. The speakers disappeared and the interesting thing was that even though they were a foot from the sidewalls the distance to the back wall was what was important. For small rooms, this is IMHO a win win as one can place them close to the walls as long as they are out into the room. IN the pict the speakers are about 4 & 1/2 ft into the room. And I had them close to 6 ft out before that.

    HOwever I recently change to a more radical setup, though I am guessing that the sideways one is plenty radical for Feanor

    I cant really describe it so a pict is best:
    http://usr.audioasylum.com/images/2/...up_3.11.10.JPG

    As you can see the listener is looking at the sides of the speakers edge on. The speaker just disappears and one is left with real music in a real space. Not sure if this works in the "Hey I sit 10ft away from the speakers" kind of setup, but I am not the only one who has tried this and really liked it.

    Anyhow please actually TRY either of these setups with vertical speakers before criticizing. You may just be pleasantly surprised.

  9. #9
    Shostakovich fan Feanor's Avatar
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    Quote Originally Posted by Dawnrazor
    I've had my mmgs for 12 or more years now I think. Bought them say 6 months after they came out. They are heavily modded (some I am pretty sure only I have done) and while it is easy to dismiss them I have had a 1.6 owner over to listen who agreed that the modded mags beat his stock 1.6s handedly. (And that was in the first setup I will describe below.)

    Lots of different rooms and listening setups.
    ....

    Anyhow please actually TRY either of these setups with vertical speakers before criticizing. You may just be pleasantly surprised.
    I won't criticize, DR, but I won't necessarily try them either. But here's a thought for you ...

    Your unusual setups suggest to me that you might like ominidirectional speakers. For several years, (long ago), I owned a pair of Ohm F, Walsh driver, omnis and they at the same time "disappeared" but provided good imaging almost anywhere in the rooms without any "sweet spot".

    BTW, one of these fine days I'm going to try that choke in series with the 1.6 tweeter to control RFI. Either that, of capacitor in parallel with them.

  10. #10
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    Feanor, given your experience/knowledge of crossovers, I am surprised you haven't upgraded the crossovers for your 1.6s. Are you planning to?

    Dawnrazor, do you have a real pic of your setup?

  11. #11
    Shostakovich fan Feanor's Avatar
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    Quote Originally Posted by audio amateur
    Feanor, given your experience/knowledge of crossovers, I am surprised you haven't upgraded the crossovers for your 1.6s. Are you planning to?

    Dawnrazor, do you have a real pic of your setup?
    Good question, aa. I've certainly considered it. There is a lot of discussion and examples of MG 1.6 upgrades over at Audio Asylum's MUG forum, (here). Lots of people say they have had significant improvements doing these upgrades. Personally I just haven't got around to it; I'm no super-tweaker myself.

    It does require removing or cutting the Maggie's "sock" and making some wiring rearrangements. However the crossover itself is pretty simple ...



    Were I to go for it, I'd start with a tweeter capacitor upgrade, maybe Mundorf Supremes. I have already replaced the standard fuse with a Hi-fi Tuning fuse for, at best, an extremely minor improvement.

    Dawnrazor advocates RFI control on the tweeter, as I recall a 100 uH inductor in series. An alternative in that regard might be a 47 nF capacitor in parallel.

  12. #12
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    Quote Originally Posted by Feanor

    It does require removing or cutting the Maggie's "sock" and making some wiring rearrangements.
    Isn't that just a small piece at the back you have to cut?
    Quote Originally Posted by feanor
    Were I to go for it, I'd start with a tweeter capacitor upgrade, maybe Mundorf Supremes. I have already replaced the standard fuse with a Hi-fi Tuning fuse for, at best, an extremely minor improvement.!
    For the price you paid for the tuning fuses you could have paid a chunk of the crossover parts. Unless you want to keep a fuse no matter what...
    The crossover schematics look easy enough even to me. It could cost you some if you use good parts but it may well be worth it. Let us know when you decide to!

    I just looked up the Supremes, very expensive!

  13. #13
    Shostakovich fan Feanor's Avatar
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    Quote Originally Posted by audio amateur
    Isn't that just a small piece at the back you have to cut?

    For the price you paid for the tuning fuses you could have paid a chunk of the crossover parts. Unless you want to keep a fuse no matter what...
    The crossover schematics look easy enough even to me. It could cost you some if you use good parts but it may well be worth it. Let us know when you decide to!

    I just looked up the Supremes, very expensive!
    Yeah, but I didn't have to cut anything to install the fuses!!

    The Mundorf Supremes are pretty expensive. One could get by with a single pair of 22 uF @ US$92.16 each from Parts ConneXion. Some would might argue that the multi-capacitor set up is better in concept. So one might prefer 18 + 3.9 + 0.1 uF, though that would add up to significantly more money.

  14. #14
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    Quote Originally Posted by Feanor
    Some might argue that the multi-capacitor set up is better in concept
    What advantages do they claim this has?

  15. #15
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    Quote Originally Posted by Feanor

    Dawnrazor advocates RFI control on the tweeter, as I recall a 100 uH inductor in series. An alternative in that regard might be a 47 nF capacitor in parallel.
    Hey Feanor,

    It is actually 10 uH. Here are the ones I bought and put in series with both bass panels and tweeters:

    http://www.mouser.com/search/Product...?R=542-5502-RC

    Best 12$ upgrade for mags!!!

    And I think I would like omni speakers. THough I cant say as much as I like maggies. FWIW there still is a sweetspot in this setup.

    Also I dont have the good sense to hide my love of Starwars on internet sites, so:

    Feanor if one is to be a wise and just audiophile one must embrace a larger view, not just the narrow-minded dogmatic view of Magnepan...

    YOu should give either of those setups a try. I am not saying they will work for everyone, but when they do, you will know it and it will be worth the effort. Also the #1 mag dealer in the states sets up their mags sideways and actually does a demo where they move them from the normal setup to a sideways setup while you listen. RIbbon models dont seem to be as particular about working in this setup as they are vertical and have a 180 deg tweeter dispersion.

    d

  16. #16
    Shostakovich fan Feanor's Avatar
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    Quote Originally Posted by Dawnrazor
    Hey Feanor,

    It is actually 10 uH. Here are the ones I bought and put in series with both bass panels and tweeters:

    http://www.mouser.com/search/Product...?R=542-5502-RC

    Best 12$ upgrade for mags!!!

    And I think I would like omni speakers. THough I cant say as much as I like maggies. FWIW there still is a sweetspot in this setup.

    Also I dont have the good sense to hide my love of Starwars on internet sites, so:

    Feanor if one is to be a wise and just audiophile one must embrace a larger view, not just the narrow-minded dogmatic view of Magnepan...
    ...

    d
    Thanks for the correction on the inductor value, DR.

    Someday maybe you should check out some omnis. I suggest Ohm, see here. They have a 120 day return policy.

    I owned Ohm F's for awhile many years ago, and I consider it one of my biggest audio mistakes that I sold them in favor of B&W DM7's. Oh, the folly!

  17. #17
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    Quote Originally Posted by Feanor
    Thanks for the correction on the inductor value, DR.

    Someday maybe you should check out some omnis. I suggest Ohm, see here. They have a 120 day return policy.

    I owned Ohm F's for awhile many years ago, and I consider it one of my biggest audio mistakes that I sold them in favor of B&W DM7's. Oh, the folly!
    Why did you sell them??

    ALso, I will keep them in mind, but have a problem auditioning inhome a speaker I have no intention or budget to buy.

    But maybe the mags will die. Given my soon to come active experiments there is a great chance I could kill em...Maybe I'll be one of the few to toast a quasi ribbon tweet.

  18. #18
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    Quote Originally Posted by audio amateur
    Feanor, given your experience/knowledge of crossovers, I am surprised you haven't upgraded the crossovers for your 1.6s. Are you planning to?

    Dawnrazor, do you have a real pic of your setup?

    Not a recent one, though I am in the middle of a stand project and will be moving the amps and tidying up the room, and finalizing my panel vibration tweak. I will take some picts then.

    Right now, here are some old ones but you can kind of see some of the mods. WHy I only have pictures of the lowpass filters and not the capless high pass is beyond me. THough I will be going active once I make some new ICs.

    http://cgi.audioasylum.com/systems/5570.html

  19. #19
    Forum Regular audio amateur's Avatar
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    Dawnrazor, are you based in the UK?

  20. #20
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    Quote Originally Posted by audio amateur
    Dawnrazor, are you based in the UK?
    AA, so sorry. I am in the states. But am still a good person

  21. #21
    Forum Regular audio amateur's Avatar
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    Quote Originally Posted by Dawnrazor
    AA, so sorry. I am in the states. But am still a good person
    lol, I don't doubt it. I'm half American myself The reason I ask is because the price on the link you posted appears to be in British Pounds.
    Last edited by audio amateur; 03-17-2010 at 11:29 AM.

  22. #22
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    Quote Originally Posted by audio amateur
    lol, I don't doubt it. I'm half American myself The reason I ask is because the price on the link you posted appears to be in British Pounds.
    Audio, I think it is a smart website as it appears in dollars when I click it.

    Looks like when you go there it is pounds.

    Top or bottom half???

    Almost for got, half of me is from wales and ireland...top half I think.

  23. #23
    Forum Regular audio amateur's Avatar
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    Quote Originally Posted by Dawnrazor
    Audio, I think it is a smart website as it appears in dollars when I click it.
    Smart website indeed

    Quote Originally Posted by Dawnrazor
    Top or bottom half???
    It's hard to say really. Both very different. I think I feel more French than anything That is where I've lived most of my short life (I'm 22).

    Have you spent much time on this side of the pond?

  24. #24
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    Hello everybody,
    I have been quite for a while now, in fact since the 3 rd of January when the ferryman took my favorite cat to the other side where I hope they know that its favorite foods include Portuguese piri-piri chicken and boiled fish!!! Alas the the 2 remaining cats are so different....
    Anyway, to avoid being depressed, I built 3 small sized diffusers but the results are not that convincing and believe me, unless you want to occupy yourself so that the mind should not wander, I strongly suggest buying the stuff instead of building them using wood. The therapy worked for me at least.....
    When I say that the results are not that convincing, I mean that over the whole frequency range, but for that one needs reasonable distances from diffusers to listening position, enough room to position the diffusers, size of pieces of wood and number of wells etc....
    So, was it a complete waste of time one may ask?
    I should say a categorical NO!!!!
    I considered my living space and the size of diffuser I could hide behind the speaker without being thrown out of the house.... a mere 42 cm ( more or less 17 inches ). Next, I chose a 2D skyline design and made 1 diffuser using 3cm by 3 cm ( 1.2 inches by 1.2in) pieces of pine wood, another using 1.3 cm by 2.7 cm ( 0.5 in by 1.1in ) pine wood and a third 1D diffuser using 6cm ( 2.5 in) thick pieces of wood with 7 wells of 12cm ( 5 in )max depth all designed for frequencies 1kHz and above. Then, I stacked them up against the wall behind one speaker... yes 3 diffusers to cover one speaker only!
    The next part is not so scientific in the sense that I did not use a Radio Shack sound meter ( item on my shopping list to get when I visit the US once a year ), but instead put my 2 non linear, non anything for that matter, big ears to register differences with and without the diffusers in place.
    What did I hear ??? Brace yourselves, its what I did not hear is what matters!!!
    The test CD tones for the design frequencies was significantly softer indicating to my ears that the wall reflections for these frequencies was diffused, but to get diffusion for the whole frequency range, one would have to build several different diffusers to account for the each segment of frequencies.....
    An objective conclusion can only be drawn after I get the sound meter, until then you can take my word on what its worth.

  25. #25
    Phila combat zone JoeE SP9's Avatar
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    I asked about this in another thread. I just saw that you had posted to this thread. I'm glad to hear you are having some success.
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    Front: Magnepan 1.7, DBX 223SX, 2 modified Dynaco MK3's, 2, 12" DIY TL subs (Pass El-Pipe-O) 2 bridged Crown XLS-402
    Rear/HT: Emotiva UMC200, Acoustat Model 1/SPW-1, Behringer CX2310, 2 Adcom GFA-545

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