I like it now that all three screen channels are in (active cross over mode) it’s a problematic issue to loose most of the EQ filter bands due to the X over function but after listening to some of my favourite films late of last night and this even with some extracts from, The Bourne Identity films with clearer wider frequency response on the ole JBL Control 5.

The harsh brittle sound in the mid bass has been greatly reduced with warmer sounding tones HF is free from that cross talk which resulted in shrillness that was too much too bare.

The cross over is set for Linkwitz-Riley 24db LF 50Hz to 1KHz – HF 24db 1KHz to 16.1 KHz 80Hz +7.0db Q 1.0 for the LF LCR channels.

Audio limiter
-16.6db LF LCR
-20.0db HF LCR

The dynamic EQ needs a little more experimentation at the time being but it does sound way better than before only wished I had larger JBL monitors matching LCR for the fronts but I’m pleased never the less very pleased.

I noted how clear STAR TREK the motion picture sounded when Sulu was pressed a button right channel just before Enterprise departed wow now that’s how I remember it in the Empire Leicester square back in 1989.

Going back to the Jason Bourne adventures with the wild car chase in “The Bourne Supremacy” toward the end was cracking tire screeching and metical hits glass and gunshots shined surprisingly over the three-screen.