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  1. #1
    Phila combat zone JoeE SP9's Avatar
    Join Date
    Jun 2003
    Location
    Philadelphia, PA
    Posts
    2,710
    Yes!

    First of all stop thinking and writing that audiophiles aren't music lovers. The only difference between the music lover (as you picture them) and an audiophile is the amount of money spent. With very few exceptions audiophiles are true music lovers who will spend money to get the highest quality sound they can afford. By your post I'm certain you would consider me one of those "audiophiles". This of course ignores the 3500+ LP's or 1600+ CD's in my music collection. As far as I'm concerned that makes me a music lover who also happens to be an audiophile.

    You go on to complain about expensive bass shy systems with midrange purity. What's worse, bass shy midrange purity or cheap crappy anything that gets no part of the musical spectrum correct? I know if I have to make a choice I'll take bass shy midrange purity over bass heavy crap. What you seem to overlook is that many of those reviewers listen to classical orchestral music where thumping bass just isn't that important. Of course if the music you and your friends prefer is bass heavy modern popular music a reviewers midrange purity based system isn't going to win any prizes. I realize this, understand it and agree with this direction. If you don't get the midrange right IMO it's not worth listening to. I built my system around what I think is good midrange. The subs for good bass were added later.

    Frankly, many true music lovers as most musicians are really couldn't care less about the gear they use or how much bass they're not hearing. The proof of this is the usually awful systems most musicians own.

    The high end industry isn't interested in catering to the iPod/ear bud public who is satisfied with their low bit rate MP3's and $2.98 ear buds. Ferrari dealers don't cater to the Scion buyer. Why should Wilson Audio (for example) cater to the Bose Lifestyle buyer? You seem to find fault with things you don't like. The high end seems to be doing just fine without your support.

    Once you realize that Stereophile and The Absolute Sound cover the high end their not reviewing your pet sub $1000pr speakers makes sense. They are not high end products, neither are the inexpensive electronics you mention. If you want reviews of (by your definition) affordable gear read Affordable Audio, whathifi or HiFi Choice. If you want to have your wallet humbled read Ultimate Audio.

    Were you a reviewer and had to choose between reviewing some mediocre sub $1000 speakers or a pair of YG Carmel's which would you choose? Bear in mind that by the time you're in a position to have this choice you've listened to truck loads of inexpensive mediocre speakers.

    Audio magazines are for the enthusiast. Enthusiasts are the same in every interest. While they may not have the means to buy that Lamborghini or Pass Labs amplifier they want to read about it. You want to read about the best buy in consumer gear read Consumers Reports. They gave a Porsche 911 a poor rating because it didn't hold enough grocery bags in the trunk. It's the magazine with reviews aimed at the non enthusiast. It's where I look when I'm buying a refrigerator or washing machine. Those are two things I have no enthusiasts interest in. For anything I have an interest in (automobiles, motorcycles, audio equipment, camera's etc) I look for an enthusiast's publication.
    ARC SP9 MKIII, VPI HW19, Rega RB300
    Marcof PPA1, Shure, Sumiko, Ortofon carts, Yamaha DVD-S1800
    Behringer UCA222, Emotiva XDA-2, HiFimeDIY
    Accuphase T101, Teac V-7010, Nak ZX-7. LX-5, Behringer DSP1124P
    Front: Magnepan 1.7, DBX 223SX, 2 modified Dynaco MK3's, 2, 12" DIY TL subs (Pass El-Pipe-O) 2 bridged Crown XLS-402
    Rear/HT: Emotiva UMC200, Acoustat Model 1/SPW-1, Behringer CX2310, 2 Adcom GFA-545

  2. #2
    Byron
    Join Date
    Aug 2010
    Location
    Encino, CA
    Posts
    39
    Hey JoeE SP9. Lighten up on the tone. This is my personal opinion how the people I know do not share my enthusiasm for the activity and any suggestions on how to change this. If you had read any of my other posts or my user reviews you will realize that I also consider myself both a music lover and an audiophile. I have been a subscriber to Stereophile for almost 30 years and I still enjoy reading the magazine. I also purchased subscriptions for a number of friends who all let them lapse. I have back issues of The Absolute Sound going back to the 1970's. Stereophile introduced me to products in my past two purchases. A pair of Quickilver amps Sam Tellig wrote about and an Antique Sound Lab Preamp which I found out about the brand at the 2006 Stereophile show. I voted the booth best sound at the show Nola, Antique Sound Lab, and Kuzma. This preamp was favorably reviewed by AV Guide which I believe is connected to The Absolute Sound.
    We will have to agree to disagree on the importance of bass. I mainly listen to orchestra and big band and to me it sounds unnatural in a totally bass shy system no matter how perfect the midrange although I still enjoy listening no matter what. I also disagree that the industry will do fine without new support based on the number of high end stores that have closed.

    [QUOTE=JoeE SP9;383270] If you don't get the midrange right IMO it's not worth listening to.

    Music Lovers feel good music is always worth listening to no matter the system which was exactly my point.


    recoveryone

    You are correct that is exactly how I got involved in the activity. I eventually moved on to also enjoying the equipment back than ESS speakers, integrated amp, Rabco turntable. When i was in high school and college everyone seemed into the gear. Nowadays young people never moved on to higher end equipment and instead opted for an Ipod or laptop listening.
    Byron

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