Quote Originally Posted by Sir Terrence the Terrible
There is no such thing as "artificial fill". Panning a vocal center, and eq'ing it is a legitimate way to mix and can yield a VERY convincing center image.
I would have to agree that the very nature of panning is artificial, convincing or not. The centered image is only there because you put it there. Similarly fore-aft artist placement requires careful level settings and uniformly applied reverb. "Apparent" stage position is determined by such post performance knob twiddling otherwise you'd get flat mono with all the instruments equally stretched across front stage.

I'm not criticizing the craft, nor suggesting that one should limit themselves only to natural recordings that are recorded with no need for chair moving afterwards. It is a master engineer whose expertise results in a natural sounding artifice. The difference is that guys like Jack Fenner at Telarc do most of the work up front, not afterwards. The bassoonist starts off right rear behind the celli. The most holographic recordings in my experience are exclusively minimally miked, be they from Sheffied, Windham Hill, Telarc, Mercury, Reference Recordings, Everest, and others. GAF viewers get the incredible depth via two shots of the same image with the lenses separated laterally. Sound familiar?

Quote Originally Posted by Sir Terrence the Terrible
It is also possible to multi mike and still get full imaging.
I'm not what you mean by "full imaging"

Quote Originally Posted by Sir Terrence the Terrible
I think it is a huge mistake to always blame the lack of imaging on the mixing or recording itself. 95% of the time its the duplication process the introduces data errors or drop outs.
Point well taken with all digital transfer processes, including playback.

rw