Results 1 to 22 of 22

Thread: Amp design

  1. #1
    Super Moderator Site Moderator JohnMichael's Avatar
    Join Date
    Apr 2005
    Location
    Central Ohio
    Posts
    6,307

    Amp design

    This month's Stereophile magazine and particularly Sam's Space where he discusses the LFD integrated amp is interesting. Dr. Richard Bews is the founder, designer and builder of the amp. He has worked with the same overall circuit design for years to produce the same power level of 65 watts. What has changed from model to model is the sound based on the sound and quality of individual parts he can find.

    My thoughts are this man must have incredible hearing to be able to choose from different parts. One of his comments was that individual parts are not as well made or sound as good today as parts manufactured years ago. Maybe the vintage folks are onto something. Shindo is another manufacturer that builds based on the sound of parts and uses some NOS parts he has collected.

    I know of other designers that find circuit layout very important. The shortest path and all. We also have hugely powerful amps that use a large number of parts to produce that power.

    Does anyone find it interesting how amps are designed and the huge number of choices available? Tube amps being hardwired instead of PC boards. I think in some ways at the design level amps are the most interesting to me.

    I know we have some Nelson Pass fans here but does anyone else have a favorite amp or designer?
    JohnMichael
    Vinyl Rega Planar 2, Incognito rewire, Deepgroove subplatter, ceramic bearing, Michell Technoweight, Rega 24V motor, TTPSU, FunkFirm Achroplat platter, Michael Lim top and bottom braces, 2 Rega feet and one RDC cones. Grado Sonata, Moon 110 LP phono.
    Digital
    Sony SCD-XA5400ES SACD/cd SID mat, Marantz SA 8001
    Int. Amp Krell S-300i
    Speaker
    Monitor Audio RS6
    Cables
    AQ SPKR and AQ XLR and IC

  2. #2
    Suspended
    Join Date
    Jan 2003
    Posts
    4,380
    I don't know enough about amp design to have a favorite designer. But to address your comments, I have been researching to create a short list for when I downsize in a couple years. I was looking at the Leben CS600 Tube Integrated. The owner and designer of Leben products is Mr. Taku Hyodo who is ranked as one of the best eight tube audio design engineers in Japan.

    I can't find the interview at the moment, but he said something like "An amp built with all high quality components that are just selected because of price/quality will not necessarily create a great sounding amp. One built where each component is listened to and then tested together is what creates a great sounding amp."

    It's all about the synergy of all the components together, not on an individual basis.

  3. #3
    Super Moderator Site Moderator JohnMichael's Avatar
    Join Date
    Apr 2005
    Location
    Central Ohio
    Posts
    6,307
    I think Dr. Bews must feel the same way. He was not name dropping expensive parts. He buys parts from all over the world based on sound.

    He made an interesting statement that a properly optimized tube amp and a properly optimized transistor would sound the same.
    Last edited by JohnMichael; 06-16-2014 at 10:26 AM.
    JohnMichael
    Vinyl Rega Planar 2, Incognito rewire, Deepgroove subplatter, ceramic bearing, Michell Technoweight, Rega 24V motor, TTPSU, FunkFirm Achroplat platter, Michael Lim top and bottom braces, 2 Rega feet and one RDC cones. Grado Sonata, Moon 110 LP phono.
    Digital
    Sony SCD-XA5400ES SACD/cd SID mat, Marantz SA 8001
    Int. Amp Krell S-300i
    Speaker
    Monitor Audio RS6
    Cables
    AQ SPKR and AQ XLR and IC

  4. #4
    Phila combat zone JoeE SP9's Avatar
    Join Date
    Jun 2003
    Location
    Philadelphia, PA
    Posts
    2,710
    A properly optimized amplifier, tube or SS should have the characteristics of a straight wire with gain.

    If you believe that different wire materials sound different then the question becomes what kind of wire. Is it OF Copper, pure Silver, Silver plated Copper or something exotic?

    S'cuse me. I'm trying to be difficult.
    ARC SP9 MKIII, VPI HW19, Rega RB300
    Marcof PPA1, Shure, Sumiko, Ortofon carts, Yamaha DVD-S1800
    Behringer UCA222, Emotiva XDA-2, HiFimeDIY
    Accuphase T101, Teac V-7010, Nak ZX-7. LX-5, Behringer DSP1124P
    Front: Magnepan 1.7, DBX 223SX, 2 modified Dynaco MK3's, 2, 12" DIY TL subs (Pass El-Pipe-O) 2 bridged Crown XLS-402
    Rear/HT: Emotiva UMC200, Acoustat Model 1/SPW-1, Behringer CX2310, 2 Adcom GFA-545

  5. #5
    Super Moderator Site Moderator JohnMichael's Avatar
    Join Date
    Apr 2005
    Location
    Central Ohio
    Posts
    6,307
    Quote Originally Posted by JoeE SP9 View Post
    A properly optimized amplifier, tube or SS should have the characteristics of a straight wire with gain.

    If you believe that different wire materials sound different then the question becomes what kind of wire. Is it OF Copper, pure Silver, Silver plated Copper or something exotic?

    S'cuse me. I'm trying to be difficult.

    He was speaking of individual resistors, capacitors, etc. In the article he gave the reason for the new amp to better capacitors he found. He said bass was better and less grain. He never mentioned wire so you must have pulled that out of your....
    JohnMichael
    Vinyl Rega Planar 2, Incognito rewire, Deepgroove subplatter, ceramic bearing, Michell Technoweight, Rega 24V motor, TTPSU, FunkFirm Achroplat platter, Michael Lim top and bottom braces, 2 Rega feet and one RDC cones. Grado Sonata, Moon 110 LP phono.
    Digital
    Sony SCD-XA5400ES SACD/cd SID mat, Marantz SA 8001
    Int. Amp Krell S-300i
    Speaker
    Monitor Audio RS6
    Cables
    AQ SPKR and AQ XLR and IC

  6. #6
    Suspended
    Join Date
    Jan 2003
    Posts
    4,380
    Quote Originally Posted by JoeE SP9 View Post
    A properly optimized amplifier, tube or SS should have the characteristics of a straight wire with gain.
    Now cut that out, Joe. You're gonna have all those "All Amps should sound the same or they are defective" guys showing up. -

    My Odyssey Stratos is wired with the same Groneberg IC cables I have that have a bassy characteristic.


  7. #7
    Super Moderator Site Moderator JohnMichael's Avatar
    Join Date
    Apr 2005
    Location
    Central Ohio
    Posts
    6,307
    Amp design-s300i-top.jpg
    Quote Originally Posted by Hyfi View Post
    Now cut that out, Joe. You're gonna have all those "All Amps should sound the same or they are defective" guys showing up. -

    My Odyssey Stratos is wired with the same Groneberg IC cables I have that have a bassy characteristic.


    That looks like a well designed amp. Power amps look a little cleaner than integrated amps. My Krell S-300i has the preamp back by the RCA's and balanced inputs. Center transformer and dual power amps for L and R channels.
    JohnMichael
    Vinyl Rega Planar 2, Incognito rewire, Deepgroove subplatter, ceramic bearing, Michell Technoweight, Rega 24V motor, TTPSU, FunkFirm Achroplat platter, Michael Lim top and bottom braces, 2 Rega feet and one RDC cones. Grado Sonata, Moon 110 LP phono.
    Digital
    Sony SCD-XA5400ES SACD/cd SID mat, Marantz SA 8001
    Int. Amp Krell S-300i
    Speaker
    Monitor Audio RS6
    Cables
    AQ SPKR and AQ XLR and IC

  8. #8
    Suspended
    Join Date
    Oct 2005
    Posts
    928
    All components have values with tolerances, normally 10% or 5% for caps and inductors and 10%, 5% and 1% for resistors (wire-wound). I could see where different components of different tolerances could make differences either additive or subtractive in sound due to their reactance at different frequencies. Values can also change with temperature.

  9. #9
    Suspended
    Join Date
    Jan 2003
    Posts
    4,380
    JM, take a look at this thread if you can. One of the members on that forum, and in the pictures builds some nice stuff.

    Black Beauties!




  10. #10
    Suspended
    Join Date
    Mar 2002
    Location
    St. Louis, MO, USA
    Posts
    10,176
    It's interesting he feels older parts sound better, you'd think with better technology would come better parts. For instance, those Toshiba output devices which is the equivalent of two transistors in one case. We definitely have better power supplies now opposed to then. I'd be some hesitant to buy a high dollar amp using a lot of NOS parts unless I was assured the company had a large enough stock to guarantee service in the future.

    Hyfi, if you have the budget for Leben I'd urge you to listen to Octave Audio before deciding. They use tubes but have the control and transparency of good solid state, it just sounds right.

    There's several good amp designers out there, D'Agustino comes to mind, Krell's history has some great amps. The team of Conrad & Johnson for their ability to some how make their amps breathe soul into the music. Of course, I'm a Pass fan.

  11. #11
    Suspended
    Join Date
    Jan 2003
    Posts
    4,380
    Quote Originally Posted by Mr Peabody View Post
    It's interesting he feels older parts sound better, you'd think with better technology would come better parts.

    Hyfi, if you have the budget for Leben I'd urge you to listen to Octave Audio before deciding. They use tubes but have the control and transparency of good solid state, it just sounds right.
    Mr P, I agree to some point, but why are we all seeking out NOS Tubes? Because today's EHs and Sovteks and JJs just are not the same as a '50s-'60 era RCA Clear Top or Long Plate.

    I also wonder what it is all those guys at AK are hearing with their 70s era Sansuies and Lamp Cord to think they all sound better than today's gear.

    Thanks for the tip on Octave, very nice looking gear. Looks like they are a bit more than the Leben by a few thousand.

    I am just coming up with possibilities and a short list for a downsized killer setup for a smaller house and room. I am liking the Rogue Magnum Kronus for the price and reviews. I have yet to hear Pass gear and can never seem to get the timing right to visit Jack, but hope to.

  12. #12
    Shostakovich fan Feanor's Avatar
    Join Date
    Jun 2002
    Location
    London, Ontario
    Posts
    8,127
    Quote Originally Posted by Hyfi View Post
    JM, take a look at this thread if you can. One of the members on that forum, and in the pictures builds some nice stuff.

    Black Beauties!
    That's the Tenor 175S stereo amp, (HERE). Pretty spectacular looking. It's a tube/solid state hybrid; I'm not exactly sure why you need 6 tubes per channel in a hybrid but there it is. It's obviously a "no compromise" design.


  13. #13
    Suspended
    Join Date
    Jan 2003
    Posts
    4,380
    Yep, friggin awesome looking and sound from what I have read. Only $55K suggested price

  14. #14
    Shostakovich fan Feanor's Avatar
    Join Date
    Jun 2002
    Location
    London, Ontario
    Posts
    8,127
    Quote Originally Posted by Mr Peabody View Post
    It's interesting he feels older parts sound better, you'd think with better technology would come better parts. For instance, those Toshiba output devices which is the equivalent of two transistors in one case. We definitely have better power supplies now opposed to then. I'd be some hesitant to buy a high dollar amp using a lot of NOS parts unless I was assured the company had a large enough stock to guarantee service in the future.
    ...

    There's several good amp designers out there, D'Agustino comes to mind, Krell's history has some great amps. The team of Conrad & Johnson for their ability to some how make their amps breathe soul into the music. Of course, I'm a Pass fan.
    I think it's mainly vacuum tubes where the older might sound better -- at least to some ears. When I had my Sonic Frontiers Line 1, it was a pair of Amperex PQ 6922's that sounded best: these tube were probably made in the early '60s. I bought mine used for about $85 the pair; true "NOS", (new old stock), run upwards $250 each.

    I love my Pass X150.5. John Atkinson of Stereophile and my personal favorite review likes Pass Labs too. Not long ago he said the pair of XA60.5's he reviewed were the best sounding amps he ever heard. He like best about them what I like best about my X150.5: the ability to carve palpable, haut relief images in the soundstage.

    But I don't consider my X150.5 to be quite perfect, i.e. in combination with my other equipment. On the up-side, in addition to the amazing imaging, I find it has great dynamic contrast, (PRaT), and to deliver a bass which is about the perfect combination of precision and weight. On the down-side, especially with less than great recordings and at higher volumes, there is a sort of discontinuity of the top highs which can become a slightly harsh and aggressive, (though much less so than my Class D Audio SDS-258); also, it seems to project solo instruments and voices a bit further forward in the soundstage than is ought to be the case. This are relatively minor criticisms overall.

  15. #15
    Phila combat zone JoeE SP9's Avatar
    Join Date
    Jun 2003
    Location
    Philadelphia, PA
    Posts
    2,710
    Quote Originally Posted by JohnMichael View Post
    He was speaking of individual resistors, capacitors, etc. In the article he gave the reason for the new amp to better capacitors he found. He said bass was better and less grain. He never mentioned wire so you must have pulled that out of your....
    I was trying to inject a little humor. I'm a believer in the different sound of passive and active electronic components.

    Hifi: AFAIK there is no such thing as properly (perfectly) optimized amplifier. That's why they all sound slightly different. Anyway, during a visit to my ENT/Cancer doctor yesterday, he cleaned my ears. So right now I'm a lean mean listening machine!
    ARC SP9 MKIII, VPI HW19, Rega RB300
    Marcof PPA1, Shure, Sumiko, Ortofon carts, Yamaha DVD-S1800
    Behringer UCA222, Emotiva XDA-2, HiFimeDIY
    Accuphase T101, Teac V-7010, Nak ZX-7. LX-5, Behringer DSP1124P
    Front: Magnepan 1.7, DBX 223SX, 2 modified Dynaco MK3's, 2, 12" DIY TL subs (Pass El-Pipe-O) 2 bridged Crown XLS-402
    Rear/HT: Emotiva UMC200, Acoustat Model 1/SPW-1, Behringer CX2310, 2 Adcom GFA-545

  16. #16
    Suspended
    Join Date
    Mar 2002
    Location
    St. Louis, MO, USA
    Posts
    10,176
    When I heard Leben I believe the model was around $4k integrated but they may have more entry models. Octave has a 40 watt integrated around $4k, although it's one of the strongest 40 watts I've ever heard, especially with the upgraded power supply for extra $$$.

    Pass has a couple nice integrated amps either 150x2 which is similar to the 150.5 in the power section or 30x2 pure Class A.

    I can understand older tubes sounding better, most manufacturers closed and today it's almost like finding the plans and trying to recreate them.

    Quote Originally Posted by Hyfi View Post
    Mr P, I agree to some point, but why are we all seeking out NOS Tubes? Because today's EHs and Sovteks and JJs just are not the same as a '50s-'60 era RCA Clear Top or Long Plate.

    I also wonder what it is all those guys at AK are hearing with their 70s era Sansuies and Lamp Cord to think they all sound better than today's gear.

    Thanks for the tip on Octave, very nice looking gear. Looks like they are a bit more than the Leben by a few thousand.

    I am just coming up with possibilities and a short list for a downsized killer setup for a smaller house and room. I am liking the Rogue Magnum Kronus for the price and reviews. I have yet to hear Pass gear and can never seem to get the timing right to visit Jack, but hope to.

  17. #17
    Suspended
    Join Date
    Jan 2003
    Posts
    4,380
    Not the best pic, but here are the guts of my Counterpoint NPS-400 Hybrid Amp ( the main tubes were being swapped so they are not in the sockets near the top of pic)


  18. #18
    Audio Hobbyist Since 1969 Glen B's Avatar
    Join Date
    Dec 2001
    Location
    New York
    Posts
    517
    Quote Originally Posted by Hyfi View Post
    Not the best pic, but here are the guts of my Counterpoint NPS-400 Hybrid Amp
    Here you go. Flaws can be easily fixed with an image editor. There are a few decent basic ones available that are free.

    Amp design-img_4100_zpsce2a6a39a.jpg

  19. #19
    frenchmon frenchmon's Avatar
    Join Date
    Dec 2005
    Location
    St. Charles Mo
    Posts
    3,271
    Quote Originally Posted by Hyfi View Post
    JM, take a look at this thread if you can. One of the members on that forum, and in the pictures builds some nice stuff.

    Black Beauties!



    Hyfi...thats my dream amp....if I had upwards of $75,000,00 I would buy that Tenor amp...and yes they build nothing but Hybrids.
    Music...let it into your soul and be moved....with Canton...Pure Music


    ----------------------------------------------------------------------------------------------
    W10 i5 Quad core processor 8GB RAM/Jriver 20/ Fidelizer Optimizer/ iFI Micro DSD DAC-iUSB 3.0/Vincent SA - T1/Vincent SP-331 MK /MMF-7.1/2M BLACK/MS Phenomena ll+/Canton Vento 830.2

  20. #20
    frenchmon frenchmon's Avatar
    Join Date
    Dec 2005
    Location
    St. Charles Mo
    Posts
    3,271
    Quote Originally Posted by Hyfi View Post
    Yep, friggin awesome looking and sound from what I have read. Only $55K suggested price
    You want to see the Tenor in action click on the second video and at the end of the review of the gear he fires them babies up!

    WGAS
    Music...let it into your soul and be moved....with Canton...Pure Music


    ----------------------------------------------------------------------------------------------
    W10 i5 Quad core processor 8GB RAM/Jriver 20/ Fidelizer Optimizer/ iFI Micro DSD DAC-iUSB 3.0/Vincent SA - T1/Vincent SP-331 MK /MMF-7.1/2M BLACK/MS Phenomena ll+/Canton Vento 830.2

  21. #21
    Suspended
    Join Date
    Jan 2003
    Posts
    4,380
    Quote Originally Posted by frenchmon View Post
    Hyfi...thats my dream amp....if I had upwards of $75,000,00 I would buy that Tenor amp...and yes they build nothing but Hybrids.
    Yeah, they are drop dead gorgeous, but only $55K

  22. #22
    frenchmon frenchmon's Avatar
    Join Date
    Dec 2005
    Location
    St. Charles Mo
    Posts
    3,271
    Quote Originally Posted by Mr Peabody View Post
    When I heard Leben I believe the model was around $4k integrated but they may have more entry models. Octave has a 40 watt integrated around $4k, although it's one of the strongest 40 watts I've ever heard, especially with the upgraded power supply for extra $$$.

    Pass has a couple nice integrated amps either 150x2 which is similar to the 150.5 in the power section or 30x2 pure Class A.

    I can understand older tubes sounding better, most manufacturers closed and today it's almost like finding the plans and trying to recreate them.
    I understand Leben has a more SS sound to them being tubes...also Shindo and many of the others like Line Magnetic are based on the old Western Electric designs and my actually use some of those old parts which they say sound much better than todays parts....its all in the ear of the hearer if you ask me.
    Music...let it into your soul and be moved....with Canton...Pure Music


    ----------------------------------------------------------------------------------------------
    W10 i5 Quad core processor 8GB RAM/Jriver 20/ Fidelizer Optimizer/ iFI Micro DSD DAC-iUSB 3.0/Vincent SA - T1/Vincent SP-331 MK /MMF-7.1/2M BLACK/MS Phenomena ll+/Canton Vento 830.2

Thread Information

Users Browsing this Thread

There are currently 1 users browsing this thread. (0 members and 1 guests)

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •