For electric it's a Mesa Mark III...
and for acoustic it's a Fender Acoustasonic. The tubes in the Mesa are STR-420 6L6GCs. I don't have the simul class, which bothered me a bit, but a volume pedal solves that problem. I actually bought a Line 6 Pod XT Live so I can "pretend" I have a lot of other amps. It take a bit of work, but it really pays off when you get it down.
As for effects, one of the coolestt pieces I own is a Mutron III, which is an auto-wah pedal that was made in England. It was used by Stevie Wonder to record "Superstition" (think of how funky his keyboard sounded in that song), and he liked it so much that he allowed the company to use his image for free in their advertising. I paid about $250 for it a few years ago and a friend told me they're going for $750 or more on e-bay. They've been out of production for years, so the supply is limited, especially in good working condition. I sent my to a guy in CA (recommended by the inventor of it) to have it calibrated and to have a bypass modification done to it. He did a fabulous job and it works perfectly.
Here's the website of the inventor for anyone who wants to learn more.
http://www.mu-tron.org/
Swish
Sorry, I can't tell you anything about the others.
Quote:
Originally Posted by N. Abstentia
Speaking of acoustic amps...I was thinking about upgrading that also. I'm currently using a Trace Elliot pre-amp into a Fender wedge monitor thingie which acutally sounds outstanding (I went through a few Trace amps and a Carvin before finding this setup) but I'd rather have it all in one little amp. I've had this setup for years.
Fender Acoustasonic eh? Have you compared this to the Marshall AS50R or the similar Laney acoustic amps?
I just heard so many rants about the Fender that I jumped on a used one when a local guy was selling. It has great tone and pairs very nicely with my Taylor. I have no issues with it, although I haven't played out with it at this point. Had a couple friends over to jam a bit and it worked out just fine.
Swish