Dual Center Channel Speakers !!!

[drumdrum]

hello folks - This is my first post so I'll start at the begining...
whether that be the top or the bottom...
((( OR IN THIS CASE THE TOP AND THE BOTTOM !!!)))
I have two center channel speakers in my system, and I'm wondering if anyone else here has experimented with this set-up ?

Mine are custom built cabinets using the same "Greater Heil air motion transformers" that I have in my mains. In order to both "keep things kosher" across the front, and to attempt to improve the shortcomings of the original ESS amt's. ( they are paired with 6 1/2' Isophone woofers and use the original Xovers)

The twin center channel speakers are mounted both above and below my Pioneer monitor ( and run in parallel on a NEC monoblock.)

I essence what this setup give me is a phantom center sonic image that is not localized to either speaker...which therefore appears to come from the center of the monitor itself. ( VERY NICE !!!)

Simply stated - I'd never go back to a single unit to cover the critical CENTER position !!!
1) increased dynamic range
2) eliminates localization
3) dramatic increase in vertical spread - compliments front LR spread
4) EVERYTHING IS MORE BELIEVABLE !!!

WHO EVER DECIDED THAT CENTER CHANNEL = ONE ??

[Kevio]

That's a cool idea. One general hazard of using multiple speakers wired to the same amplifier channel is phasing or comb filtering due to interaction of the two signals. With this setup, you'll probably notice that the timbre of the center channel is different whether you standing or seated. Probably not enough of an issue to kill your buzz though.

[N. Abstentia]

I've always thought it was a great idea (even when we did it 12-13 years ago just for giggles!) but it's just not practical for most folks.

[kexodusc]

I've done it and it worked well enough.

However, I've always found for the price of 2 I could buy or build 1 that would sound even better.

I suppose at some point there is a technical advantage to using 1 speaker too - especially if the centers are placed horizontally instead of vertically...multi-channel tracks are engineered and mixed with 1 center channel in mind...if the front right and center channels are used to image a sound in a position, physics dictates a dual center setup would "pull" the image a bit further to the left than it should be. How much would depend on the disperion of the speakers and how wide apart the 2 centers are. Even a perfect phantom setup has limitations, but we're splitting hairs here if some highly directional sound cue is off an inch or two.
When I did it, I had them above and below my set. Wife hated it.

But if it works, use it

[canuckle]

The interference pattern that gets set up is a pretty well-researched phenomena that is more than enough reason to avoid this kind of set up. In short, having two speakers has done nothing for your system's dynamic range (you should research the term I suspect), human hearing isn't designed to localize things vertically very well and a properly set up system with one speaker will not have any issues in this area, and a "vertical spread" means nothing since the centre channel is a mono line (unlike the front L/R to which you compare it). But since you like it, enjoy

[Kevio]

There are plenty of expensive speakers with dual vertically-arranged drivers. I personally am not convinced that it's a great idea but clearly it can be made to work.

[pixelthis]

The only rationale for two centers is an extremely large screen, where two horizontaly
placed speakers can spread the sound out better.
Mostly the conflict between the two isnt worth the trouble
Basically something these guys would do

[canuckle]

There are plenty of expensive speakers with dual vertically-arranged drivers. I personally am not convinced that it's a great idea but clearly it can be made to work.

Yes, and the #1 engineering challenge in getting those speakers to work is finding a way to keep the 2 drivers from screwing each other up. There are many electronic tricks that help this work. Can that working system be replicated by placing two speakers above each other rather randomly by hand? I doubt it.

[kexodusc]

Yes, and the #1 engineering challenge in getting those speakers to work is finding a way to keep the 2 drivers from screwing each other up. There are many electronic tricks that help this work. Can that working system be replicated by placing two speakers above each other rather randomly by hand? I doubt it.

Screwing each other up? Care to elaborate?

[Sir Terrence the Terrible]

Screwing each other up? Care to elaborate?

What he is stating is that two drivers playing the same information will have the same interference pattern as two spaced speakers playing the same information. In order to deal with the drivers interference pattern, you have to gradually roll off the output of one of the drivers as the frequency goes up, or the speaker will measure poorly, and will have intelligibility issues with dialog. These are called 2.5 way speakers, as opposed to two way speakers where both woofers handle the same range of frequencies.

[Kevio]

Yes, and the #1 engineering challenge in getting those speakers to work is finding a way to keep the 2 drivers from screwing each other up. There are many electronic tricks that help this work. Can that working system be replicated by placing two speakers above each other rather randomly by hand? I doubt it.

Electronic tricks? Care to elaborate?

[Sir Terrence the Terrible]

The interference pattern that gets set up is a pretty well-researched phenomena that is more than enough reason to avoid this kind of set up. In short, having two speakers has done nothing for your system's dynamic range (you should research the term I suspect), human hearing isn't designed to localize things vertically very well and a properly set up system with one speaker will not have any issues in this area, and a "vertical spread" means nothing since the centre channel is a mono line (unlike the front L/R to which you compare it). But since you like it, enjoy

This is an excellent post, and exactly what I was going to say. It does not matter whether the speakers are set up vertically, or horizontally, the interference pattern will always exist. I bet if you measured that combination, the measurement would not look very good.

[Rich-n-Texas]

You aren't taking into account the Melvin Walker rule which states that the mains should always be placed with a 12' space between them.

[Luvin Da Blues]

Are y'all taking into account the Melvin Walker rule which states that the mains should always be placed with a 12' gap between them?

Hey Rich, I guess you didn't get the memo. The 12' rule will vary (+/- 6.27") depending on the prevailing atmospheric pressure and ambient temperatures.

[Rich-n-Texas]

So the MW rule was amended? I wasn't aware of that. I'll update my library of facts. Thanks LDB.

[drumdrum]

hello guys - ( my original post ) - appreciate the opinons & feedback.

I guess what we're really talkin' about here is psycho acoustics...
( actually, my neighbors all call me one of them ! ) - and as for comb filtering...I just pull my wool cap down over my ears, which filters all that out, plus then I don't worry about combing anything !

But seriously, let me restate the dilemma as I see it:
The stereo (phantom center) image is gonna be at odds with any "actual" center channel (mono) - whether it be one or two sources.
( those guys pixelthis posted). So do ya listen to music in stereo only, with no center channel ??? the folks that designed my Lexicon CP-3 (1995) surround processor don't think so ! They took took this whole exploration right to the limit & built in lots of great multi-channel surround modes, along with Panorama, which eliminates the center ch and gets into the whole cross-channel cancellation thing ( out of phase signals sent along with actual L R information ).

But the thing I really can't deal with ( now that we all live in a 5.1 world) is having the center channel sound ( largely dialogue ) emanating from a localized source that doesn't correspond to the picture ! Whether the speaker is above or below, its still from a place that doesn't make sense to the brain.

I mean...we can't do what the big theaters do with their acoustically-transparent perforated screens. I other words I want what they got !
( not to even mention IMAX ! )

So - to my ears ( and my eyes, when you bring a TV monitor into the mix ) dual center channel speakers produce a sound field that's hard to localize - which is what I was referring to as a " phantom center".
Vertical spread may be a poor phrase to use, but I don't have a better one. In any case, I might settle with interference issues more easily than with the obvious disconnect of a source that doesn't correspond to, and support the visual picture.

The other benefit, is to have twice the horsepower ( as far as moving
air ) for when the center channel action gets hot & heavy. It may not be increased dynamic range, but it surely is less bass- low mid distortion. With large full range mains, a smaller single center speaker often can't cut it ! especially when ya read that well over half the sound during a movie is assigned to center.

I sit 6' from my 42" monitor ( at 56 my eyes aren't great ) and to maximize the movie experience. But what I am l listening to is not even close to pure " near source ". The Heil air-motion drivers are still the only true bipolars I'm aware of..(?).firing equally front and back
( in phase !) from the same membrane. And I've got 4 running up front, so I'm hearing a lot of disbursed-reflected sound, even though I'm close. I'm sure it all factors in ( along with room acoustics ) but since we've all got differing rooms & systems...the best we can do is discuss - until one of us figures how to build a Star Trek transporter - at which point we could party down in various listening-living rooms...and still make it to work the next day.

[drumdrum]

Just got out my tape measure out...
L & R are 7' apart and 3' between my upper and lower center speakers...
I'm seated for a movie not quite 7' out
height of lower center Heil 18" - 20" & upper Heil at 48"- 52"

[drumdrum]

I thought some more about the suggestions given here....

So - my sweet spot ( prime movie & TV ) viewing is "right on" regarding L&R channels...dead center between 'em and so forming that equilateral triangle ideal. Also ear level seated is right at height of Heils. Levels as set with my trusty RS analoge meter are + - 1/2 db.

Likewise - ear level seated is centered height-wise between the upper and lower center speakers ( here again I refer to the mid / high frequency Heils ) which lastly puts me dead center of my monitor.

Furthermore - I did some measurements from a point on a box i placed om the couch, to each of the four Heils - and after tweaking a bit got all four within 1/2 "

So I'm outside the near-field space if the two center ch speakers, but equa - distance. Upper Heil is angled downward 15 degrees, and lower is angled upward the same. L & R mains are toed in. Stereo subs sit adjacent just outside mains.

If I play with anything I think it will be toe in and pitch ( yaw ).

Any suggestions regarding those kind of adjustments ?

[02audionoob]

Sometimes perception varies from science. If I like it, I'd question how much validity there would be to scientifically disproving that it's good.

[drumdrum]

found this googlein' around -

Haas Effect Also called the precedence effect, describes the human psychoacoustic phenomena of correctly identifying the direction of a sound source heard in both ears but arriving at different times. Due to the head's geometry (two ears spaced apart, separated by a barrier) the direct sound from any source first enters the ear closest to the source, then the ear farthest away. The Haas Effect tells us that humans localize a sound source based upon the first arriving sound, if the subsequent arrivals are within 25-35 milliseconds. If the later arrivals are longer than this, then two distinct sounds are heard. The Haas Effect is true even when the second arrival is louder than the first (even by as much as 10 dB.). In essence we do not "hear" the delayed sound. This is the hearing example of human sensory inhibition that applies to all our senses. Sensory inhibition describes the phenomena where the response to a first stimulus causes the response to a second stimulus to be inhibited, i.e., sound first entering one ear cause us to "not hear" the delayed sound entering into the other ear (within the 35 milliseconds time window). Sound arriving at both ears simultaneously is heard as coming from straight ahead, or behind, or within the head. The Haas Effect describes how full stereophonic reproduction from only two loudspeakers is possible. (After Helmut Haas's doctorate dissertation presented to the University of Gottingen, Gottingen, Germany as "Über den Einfluss eines Einfachechos auf die Hörsamkeit von Sprache;" translated into English by Dr. Ing. K.P.R. Ehrenberg, Building Research Station, Watford, Herts., England Library Communication no. 363, December, 1949; reproduced in the United States as "The Influence of a Single Echo on the Audibility of Speech," J. Audio Eng. Soc., Vol. 20 (Mar. 1972), pp. 145-159.)

The thing I found that "hit home " was sounds arriving at the same time are perceived as coming form directly in front, directly behind, or

(((((((((((inside the head))))))))))))

( at least now I know why I hear voices all the time )!!!!

[drumdrum]

http://en.wikipedia.org/wiki/Air_Mot...r#How_it_works

[drumdrum]

Explores the principles and practical considerations of spatial sound recording and reproduction. Particular emphasis is given to the increasing importance of multichannel surround sound and 3D audio, including binaural approaches, without ignoring conventional stereo. the enhancement of spatial quality is arguably the only remaining hurdle to be overcome in pursuit of high quality sound reproduction. The rise of increasingly sophisticated spatial sound systems presents an enormous challenge to audio engineers, many of whom are confused by the possibilities and unfamiliar with standards, formats, track allocations, monitoring configurations and recording techniques. The author provides a comprehensive study of the current state of the art in spatial audio, concentrating on the most widely used approaches and configurations. Anyone wishing to expand their understanding of these cutting-edge technologies will want to own this book.

More details
Spatial Audio
By Francis Rumsey
Published by Focal Press, 2001
ISBN 0240516230, 9780240516233
240 pages

Hey - found this for $30 used @amazom

[drumdrum]

Helmholtz, Hermann Ludwig Ferdinand von (1821-1894) German physicist and physiologist who formulated the mathematical law of the conservation of energy (1847) and invented an ophthalmoscope (1851) [AHD] (An instrument for examining the interior structures of the eye, especially the retina, consisting essentially of a mirror that reflects light into the eye and a central hole through which the eye is examined. You aren't a real doctor without one.) Famous for his book, On the Sensations of Tone first published in 1862.

( If I (eye) could just find one of these maybe I could see inside my head *&)&*()*&^ !!!)