Jim Clark
12-16-2003, 09:58 AM
When is a mystery disc not a mystery disc? When just about everyone but you knew who it was. Actually it did catch a few off guard so I don't feel real bad for being surprised by the music being created today by Marianne Faithful on her 2002 release Kissin' Time. Yes Finch, it's a women.
I guess the reason I felt it may be suitable for a 'mystery disc' stint was simply the surprising evolution of this women which is surely one of the most drastic reincarntions I've ever come across. Starting in the 60's as a folk singer with a very high voice to this dark, tech influenced album that is sung a good octave lower must have been one heck of a journey. Her 1979 Album "Broken English" is well regarded by a few here earning 4 and a half stars at AMG. She started toying with the electronics on Broken English but the shock was obviously the raunchy lyrics.
Marianne first found success around 1964-the year I was born, with As Tears Go By, and in '65 ditched her husband to become Mick Jagger's squeeze. (aside: Does that mean that if she had stayed with him that she'd be Lady Marianne today?) After years and years of living what sounds like a horrifying life of drug abuse she finally got clean in 1987 and I guess has remained drug free ever since. The toll that took is obviously displayed in her voice.
I guess her personal journey aside I really do like the music a great deal. I can also see why others wouldn't enjoy it. Whether or not you really like the disc I think all who requested (and the one's it was forced upon) can appreciate the reinventing process. It's not really all that noticeable at first but there are several huge names collaborating on the album. Beck, Billy Corgan, and several others. Maybe now that you know what to look for you may find something to like that you might have missed. It does help to have the notes on hand sometimes.
finally to wrap things up I'm including a raunchy review I dug up. Given the subject it seemed appropriate enough:
Marianne Faithfull, once the sexiest **** buddy in Swinging London is now a 55-year-old grandmother who has overcome scandal, drugs, The Rolling Stones, a suicide attempt and a breakdown on live TV. Faithfull spent the ensuing two decades in a drug haze, often sleeping on the streets, turning tricks, inspiring Absolutely Fabulous, but she still managed to release some fine albums, notably 1979's "Broken English." She still swears and smokes and has a tattoo.
Faithfull recorded this album (separately) with Beck, Billy Corgan, Blur, and Pulp, as well as her old friend Dave Stewart of the Eurythmics. This time she's like an old whore targeting her younger fans.
Faithfull may no longer be the virginal chanteuse who was every male's fantasy, but she still has a certain allure. Faithfull is not nostalgic. One track, "Sliding Through Life On Charm," is based on her memoirs. The song was written by Pulp vocalist Jarvis Cocker, but Faithfull gave herself a credit since she was the subject and came up with the title.
"Song For Nico" seems less inspired. Nico doesn't need any more attention. Collaborations with Beck and Corgan seem inspired and yield both gospel and love songs.
The opening track "Sex With Strangers" sounds like a track left off Midnight Vultures. She is sort of like George W. Bush: a person born in good circumstances who surrounds herself with more talented people, and takes credit for everything.
This is a step up from albums like Tom Jones "Reload" album where he duets with many of the Met Bar locals of today's music like Stereophonics. Actually Lulu has just done the same thing with her own karaoke album and it has become her biggest album in thirty years.
Faithful at least forces these layabouts of Britpop fame to do some work. She does cover one Beck song and one song by Herman Hermits. But most of this record is new material and seems inspired and you wonder why Pulp would give her songs, when their own new album could have used songs like these.
Alexander Laurence
If that's not enough AMG has a very lengthy write up on this particular album. Or if you prefer, you can just be done!
Regards,
jc
I guess the reason I felt it may be suitable for a 'mystery disc' stint was simply the surprising evolution of this women which is surely one of the most drastic reincarntions I've ever come across. Starting in the 60's as a folk singer with a very high voice to this dark, tech influenced album that is sung a good octave lower must have been one heck of a journey. Her 1979 Album "Broken English" is well regarded by a few here earning 4 and a half stars at AMG. She started toying with the electronics on Broken English but the shock was obviously the raunchy lyrics.
Marianne first found success around 1964-the year I was born, with As Tears Go By, and in '65 ditched her husband to become Mick Jagger's squeeze. (aside: Does that mean that if she had stayed with him that she'd be Lady Marianne today?) After years and years of living what sounds like a horrifying life of drug abuse she finally got clean in 1987 and I guess has remained drug free ever since. The toll that took is obviously displayed in her voice.
I guess her personal journey aside I really do like the music a great deal. I can also see why others wouldn't enjoy it. Whether or not you really like the disc I think all who requested (and the one's it was forced upon) can appreciate the reinventing process. It's not really all that noticeable at first but there are several huge names collaborating on the album. Beck, Billy Corgan, and several others. Maybe now that you know what to look for you may find something to like that you might have missed. It does help to have the notes on hand sometimes.
finally to wrap things up I'm including a raunchy review I dug up. Given the subject it seemed appropriate enough:
Marianne Faithfull, once the sexiest **** buddy in Swinging London is now a 55-year-old grandmother who has overcome scandal, drugs, The Rolling Stones, a suicide attempt and a breakdown on live TV. Faithfull spent the ensuing two decades in a drug haze, often sleeping on the streets, turning tricks, inspiring Absolutely Fabulous, but she still managed to release some fine albums, notably 1979's "Broken English." She still swears and smokes and has a tattoo.
Faithfull recorded this album (separately) with Beck, Billy Corgan, Blur, and Pulp, as well as her old friend Dave Stewart of the Eurythmics. This time she's like an old whore targeting her younger fans.
Faithfull may no longer be the virginal chanteuse who was every male's fantasy, but she still has a certain allure. Faithfull is not nostalgic. One track, "Sliding Through Life On Charm," is based on her memoirs. The song was written by Pulp vocalist Jarvis Cocker, but Faithfull gave herself a credit since she was the subject and came up with the title.
"Song For Nico" seems less inspired. Nico doesn't need any more attention. Collaborations with Beck and Corgan seem inspired and yield both gospel and love songs.
The opening track "Sex With Strangers" sounds like a track left off Midnight Vultures. She is sort of like George W. Bush: a person born in good circumstances who surrounds herself with more talented people, and takes credit for everything.
This is a step up from albums like Tom Jones "Reload" album where he duets with many of the Met Bar locals of today's music like Stereophonics. Actually Lulu has just done the same thing with her own karaoke album and it has become her biggest album in thirty years.
Faithful at least forces these layabouts of Britpop fame to do some work. She does cover one Beck song and one song by Herman Hermits. But most of this record is new material and seems inspired and you wonder why Pulp would give her songs, when their own new album could have used songs like these.
Alexander Laurence
If that's not enough AMG has a very lengthy write up on this particular album. Or if you prefer, you can just be done!
Regards,
jc