kexodusc
07-07-2004, 05:51 AM
Since about Christmas or so I'd been looking for a cheap amp for my parents, then later my boss. I came across a used AudioSource Amp One at the local pawn shop for $76 bucks.
Both the boss and the folks since found other solutions, but when I went back to the pawn shop last month, the thing was still there. I thought "what the hell"...and decided to buy it to power my rear Studio 20's beside the two Adcom GFA-535 II's I have powering the side Studio 20's and front main Studio 40's.
I wasn't expecting much because, despite my best efforts, I'm one who takes comfort in brand name "value added". I half expected this thing to melt, break, or at least sound horrible when I got it home. This was the least expensive piece of audio gear I think I've ever bought.
Holy crap was I ever impressed with this little amp!!! I've heard so very little about this company (in fact 95% came from this website) that I was expecting it to be junk. This thing easily holds up to my GFA-535 II's in terms of power, and sound quality, but has a few more features that I like. At first I thought it was being generous with the 80 wpc rating, but then I realized the channel levels were turned up only 2/3 the way or so...duh!!!
I'm told this thing retails between $200-$300. I'd say it's great bargain at those prices.
(no, I am not affiliated with AudioSource, Carver, or their parent company Phoenix Gold International).
Just for fun I took out my NAD 3140 integrated and brought my Rotel RA-1070 (or is it RB? it's an integrated so that makes it RA I think, anyway) and did some demoing with the Studio 40's with my friend. I'd place the AudioSource somewhere in between the slight brightness I hear in the NAD and Adcom's and the more neutral/warm sound I hear in my Rotel. These differences are pretty subtle, and I may very well be imagining them.
My point is the AudioSource holds up quite nicely to the Adcom's and my NAD. I'd say it's better. I do enjoy my Rotel more, but I wonder if that's just because I paid 10 times as much or so for it?
When I bought it, the VU meters on the front weren't working...I took it apart, did a quick butcher and solder job and low-and-behold...one moves...don't know how accurate it is, but it looks cool. Can't wait to try to salvage the other one.
My only complaint is the somewhat cheap binding posts this thing came with. But no big deal. I'd put this up against $500-600 amps any day.
My new found joy at finding this "diamond in the rough" makes me want to hear the great stories eveyone else may have. Anybody else own AudioSource gear (any horror stories I should know?). Any other lesser known brands out there?
Please share your experiences.
Both the boss and the folks since found other solutions, but when I went back to the pawn shop last month, the thing was still there. I thought "what the hell"...and decided to buy it to power my rear Studio 20's beside the two Adcom GFA-535 II's I have powering the side Studio 20's and front main Studio 40's.
I wasn't expecting much because, despite my best efforts, I'm one who takes comfort in brand name "value added". I half expected this thing to melt, break, or at least sound horrible when I got it home. This was the least expensive piece of audio gear I think I've ever bought.
Holy crap was I ever impressed with this little amp!!! I've heard so very little about this company (in fact 95% came from this website) that I was expecting it to be junk. This thing easily holds up to my GFA-535 II's in terms of power, and sound quality, but has a few more features that I like. At first I thought it was being generous with the 80 wpc rating, but then I realized the channel levels were turned up only 2/3 the way or so...duh!!!
I'm told this thing retails between $200-$300. I'd say it's great bargain at those prices.
(no, I am not affiliated with AudioSource, Carver, or their parent company Phoenix Gold International).
Just for fun I took out my NAD 3140 integrated and brought my Rotel RA-1070 (or is it RB? it's an integrated so that makes it RA I think, anyway) and did some demoing with the Studio 40's with my friend. I'd place the AudioSource somewhere in between the slight brightness I hear in the NAD and Adcom's and the more neutral/warm sound I hear in my Rotel. These differences are pretty subtle, and I may very well be imagining them.
My point is the AudioSource holds up quite nicely to the Adcom's and my NAD. I'd say it's better. I do enjoy my Rotel more, but I wonder if that's just because I paid 10 times as much or so for it?
When I bought it, the VU meters on the front weren't working...I took it apart, did a quick butcher and solder job and low-and-behold...one moves...don't know how accurate it is, but it looks cool. Can't wait to try to salvage the other one.
My only complaint is the somewhat cheap binding posts this thing came with. But no big deal. I'd put this up against $500-600 amps any day.
My new found joy at finding this "diamond in the rough" makes me want to hear the great stories eveyone else may have. Anybody else own AudioSource gear (any horror stories I should know?). Any other lesser known brands out there?
Please share your experiences.