Swish
04-22-2011, 07:43 AM
Since none of my friends who usually accompany me to see my favorite bands are fans of Iron & Wine (no idea why), my wife and I ventured to Philly by ourselves last night. We were quite early so we stopped at the Standard Tap on N. 2nd St. for some excellent beer (local IPAs) and a couple burgers with fresh-cut fries, a rare red-meat and fried food treat for us.
Our bellies full, we headed over to N. 7th where the Electric Factory is located, arriving nearly an hour before the doors were scheduled to open. We were numbers 9 and 10 in line and with a much younger assortment in front of us and, not long after, behind us. We ended up chatting with some of them, discussing the recent shows we've been too, and a few were quite envious to hear that we'd recently seen the Arcade Fire, The National, Wilco, The Decemberists, Spoon, The Shins, Lucinda Williams, and many others. I told them that a bunch of us in a close circle of friends have vowed to see as many shows as we could for as long as we could because we're not getting any younger.
The doors opened at last and we headed upstairs to the L shaped second floor that overlooks the (mostly) standing room only first floor. We got seats that overlooked the stage on the right, a nearly perfect and unobstructed view. After ordering a couple of over-priced 12 ounce beers, we waiting about an hour for the opening act, Low Anthem, to start their short set. A four-piece band playing some really odd instruments...one guy played a saw on the first song...and very quiet, traditional type fold. They were good but a little too mellow at that point as I could have taken a nap. Only during a couple of the final songs did they make a little noise.
By time Low Anthem was done, the venue was filled to capacity, which I didn't find unusual at all. It was finally time for Sam Beam and company to take the stage at about 9:30, and what an impressive set-up! Saw was dressed in a grey suit with black shirt, sporting his big, full beard as usual. In the front and to his right was a guitar/mandolin player and to his left a keyboard player. Behind them from his right were two female back-up singers and the bass player, a drummer, a percussionist who eerily resembled Jerry Garcia, and a horn section consisting of sax, trumpet and sax/flute/clarinet (I think). The guy in the middle also played what I believe was a zither on one song.
All in all there were 10 others on the stage, and they had the songs down cold, appearing almost effortless in execution, despite the complexity of many of them, most notably 'Rabbit Will Run' from The Shepherd's Dog. Every note, every nuance, seemed to be perfectly executed to stay true to what you hear on his records.
Most of Sam's earlier records feature his vocals in hushed tones accompanying mostly acoustic instrumentation, but Kiss Each Other Clean is quite a transformation with his use of a full band and his vocals becoming much bolder, at least on some of the songs. I wasn't expecting them to 'rock out', but the end of the second song, God Made the Automobile, had the horns wailing, drums crashing, piano banging. It was really awesome.
They played for about 2 hours and, as expected, there was an encore, but it was only one song and a solo effort by Sam with his Taylor acoustic doing 'The Trapeze Swinger'. It was a perfect ending to a great show, and the crowd was as raucous as any I've seen or heard at the Electric Factory, screaming out their appreciation after each song, but especially after the encore. I wish my friends had made the trip. They wouldn't have been disappointed.
Here's the set-list from last night:
Me and Lazarus
God Made the Automobile
Freedom Hangs Like Heaven
Boy With a Coin
Naked As We Came
Half Moon
Rabbit Will Run
Summer in Savannah
Cinder and Smoke
Woman King
Fever Dream
Tree by the River
Encore -The Trapeze Swinger
Our bellies full, we headed over to N. 7th where the Electric Factory is located, arriving nearly an hour before the doors were scheduled to open. We were numbers 9 and 10 in line and with a much younger assortment in front of us and, not long after, behind us. We ended up chatting with some of them, discussing the recent shows we've been too, and a few were quite envious to hear that we'd recently seen the Arcade Fire, The National, Wilco, The Decemberists, Spoon, The Shins, Lucinda Williams, and many others. I told them that a bunch of us in a close circle of friends have vowed to see as many shows as we could for as long as we could because we're not getting any younger.
The doors opened at last and we headed upstairs to the L shaped second floor that overlooks the (mostly) standing room only first floor. We got seats that overlooked the stage on the right, a nearly perfect and unobstructed view. After ordering a couple of over-priced 12 ounce beers, we waiting about an hour for the opening act, Low Anthem, to start their short set. A four-piece band playing some really odd instruments...one guy played a saw on the first song...and very quiet, traditional type fold. They were good but a little too mellow at that point as I could have taken a nap. Only during a couple of the final songs did they make a little noise.
By time Low Anthem was done, the venue was filled to capacity, which I didn't find unusual at all. It was finally time for Sam Beam and company to take the stage at about 9:30, and what an impressive set-up! Saw was dressed in a grey suit with black shirt, sporting his big, full beard as usual. In the front and to his right was a guitar/mandolin player and to his left a keyboard player. Behind them from his right were two female back-up singers and the bass player, a drummer, a percussionist who eerily resembled Jerry Garcia, and a horn section consisting of sax, trumpet and sax/flute/clarinet (I think). The guy in the middle also played what I believe was a zither on one song.
All in all there were 10 others on the stage, and they had the songs down cold, appearing almost effortless in execution, despite the complexity of many of them, most notably 'Rabbit Will Run' from The Shepherd's Dog. Every note, every nuance, seemed to be perfectly executed to stay true to what you hear on his records.
Most of Sam's earlier records feature his vocals in hushed tones accompanying mostly acoustic instrumentation, but Kiss Each Other Clean is quite a transformation with his use of a full band and his vocals becoming much bolder, at least on some of the songs. I wasn't expecting them to 'rock out', but the end of the second song, God Made the Automobile, had the horns wailing, drums crashing, piano banging. It was really awesome.
They played for about 2 hours and, as expected, there was an encore, but it was only one song and a solo effort by Sam with his Taylor acoustic doing 'The Trapeze Swinger'. It was a perfect ending to a great show, and the crowd was as raucous as any I've seen or heard at the Electric Factory, screaming out their appreciation after each song, but especially after the encore. I wish my friends had made the trip. They wouldn't have been disappointed.
Here's the set-list from last night:
Me and Lazarus
God Made the Automobile
Freedom Hangs Like Heaven
Boy With a Coin
Naked As We Came
Half Moon
Rabbit Will Run
Summer in Savannah
Cinder and Smoke
Woman King
Fever Dream
Tree by the River
Encore -The Trapeze Swinger