Gerald Cooperberg
02-02-2007, 07:22 PM
I usually post over on the Favorite Films board, but this thread seems more music-related, so I thought I'd pop over here...
In the space of the last week, I happened to catch two recent Will Ferrell comedies that both featured soundtracks that were distractingly heavy on a single artist. Stranger Than Fiction had an overabundance of Spoon songs, and Talladega Nights: The Ballad of Ricky Bobby included no less than three Steve Earle tracks, all from the same record, 1996's I Feel Alright. What's the deal? Okay, Spoon I can maybe understand, as they seem to be a "hot" band of the moment, but I don't think that Steve Earle is exactly shifting units of the soundtrack CD at Wal Mart. Maybe it's meant to be a sly joke-- after all, the intent of the movie is partly to satirize NASCAR/C&W culture and Earle's brand of subversion adds to that in some way, but it still strikes me as really odd that all of the songs are from the same, ten-year-old, relatively obscure album. What's going on here? Is it possible that Ferrell is flooding these movies with his favorite tracks off of his iPod, a la Cameron Crowe? Or is it some sinister cross-marketing plot? I guess what I'm really getting at is-- did this bug anyone else??
-Coop
In the space of the last week, I happened to catch two recent Will Ferrell comedies that both featured soundtracks that were distractingly heavy on a single artist. Stranger Than Fiction had an overabundance of Spoon songs, and Talladega Nights: The Ballad of Ricky Bobby included no less than three Steve Earle tracks, all from the same record, 1996's I Feel Alright. What's the deal? Okay, Spoon I can maybe understand, as they seem to be a "hot" band of the moment, but I don't think that Steve Earle is exactly shifting units of the soundtrack CD at Wal Mart. Maybe it's meant to be a sly joke-- after all, the intent of the movie is partly to satirize NASCAR/C&W culture and Earle's brand of subversion adds to that in some way, but it still strikes me as really odd that all of the songs are from the same, ten-year-old, relatively obscure album. What's going on here? Is it possible that Ferrell is flooding these movies with his favorite tracks off of his iPod, a la Cameron Crowe? Or is it some sinister cross-marketing plot? I guess what I'm really getting at is-- did this bug anyone else??
-Coop