Coyote-X
02-22-2006, 02:01 PM
Hi. I recently got an older (I think... 1982-83) Sony integrated amp from my uncle, as well as as a bunch of components. (Mostly broken, ended up putting them in the 'pile of broken audio stuff' corner.) Anyway there it sat for a good year, and a few days ago, on a whim, I hooked it up in my main stereo system, not expecting to be very impressed.
To my surprise, despite being as old as I am, and the fact that I don't think it was ever anything but entry-level gear, it both sounded and powered my system quite well... in some ways it sounded louder/more powerful than my newer reciever, which is a JVC home theater reciever.
I then thought back to before we got rid of my dad's old Sansui, which was rated quite low compared to modern gear but still seemed to pack a punch. (Though the last time I remember it working correctly I was ten.)
The power rating on the Sony is 155w divided 2 or about ~75 watts per channel.
The JVC has the typical 100 watts per channel, 5 channels, that I see commonly on home theater recievers.
I've read that audio manufacturers today use various tricks to make their systems more powerful on paper than they really are in practice, making the RMS numbers pretty meaningless - I thought that RMS was supposed to prevent that. Anyway, what're some of the tricks that they use to do that (if possible to explain in lamens terms), and when did the practice start?
To my surprise, despite being as old as I am, and the fact that I don't think it was ever anything but entry-level gear, it both sounded and powered my system quite well... in some ways it sounded louder/more powerful than my newer reciever, which is a JVC home theater reciever.
I then thought back to before we got rid of my dad's old Sansui, which was rated quite low compared to modern gear but still seemed to pack a punch. (Though the last time I remember it working correctly I was ten.)
The power rating on the Sony is 155w divided 2 or about ~75 watts per channel.
The JVC has the typical 100 watts per channel, 5 channels, that I see commonly on home theater recievers.
I've read that audio manufacturers today use various tricks to make their systems more powerful on paper than they really are in practice, making the RMS numbers pretty meaningless - I thought that RMS was supposed to prevent that. Anyway, what're some of the tricks that they use to do that (if possible to explain in lamens terms), and when did the practice start?