ForeverAutumn
07-14-2005, 11:46 AM
Get his name back in the public eye, perhaps? I'm such a cynic. ;)
BTW, the name of the Opera is Ca Ira. RR picked up this weird A symbol instead. I'm too lazy to go through the whole article and fix it.
Sony BMG Masterworks/Columbia Records is proud to announce the release of "Ça Ira," Roger Waters long-awaited "operatic history of the French Revolution," on Tuesday, September 27.
The lavish first edition of "Ça Ira," an opera in three acts for full orchestra, soloists and choirs, will include a double SACD DigiPack and a deluxe 60 page four-color booklet including Roger Waters' lyrics based on Etienne Roda-Gil's original French libretto, the original illustrations created by Nadine Roda-Gil, biographies of Waters and the opera's cast, background and production notes on the opera.
As a bonus for Roger Waters fans, "Ça Ira" includes a special DVD documentary chronicling the "making of" the opera. The "Ça Ira" DVD traces the history of the project, from conception to completion, and includes revelatory interviews with Waters and the musicians and cast of "Ça Ira" as well as exclusive in-the-studio footage of the recording of the opera.
"Ça Ira" is being released in the hybrid SACD (Super Audio CD) format in Dolby Digital 5.1 SurroundSound. The hybrid SACD disks are compatible with standard CD players.
Waters, who co-founded the groundbreaking rock group Pink Floyd in 1966, began to bridge the worlds of rock and classical music in such pioneering major works as "The Dark Side Of The Moon" (1973) and "The Wall" (1979) in which he incorporated elements of operatic form--theatricality, coherent narrative, dramatic arcs, thematic music and song cycles--in a pop context.
Waters' work on "Ça Ira," his first opera for full orchestra and voice, began in 1989, during the Bicentennial of the French Revolution. The well-respected and successful songwriter Etienne Roda-Gil and his wife, Nadine, had created an original libretto for an opera, written in French, as part of the Bicentennial. Entitled "Ça Ira," after a revolutionary song of the period, the Roda-Gil's original manuscript, copiously and beautifully illustrated by Nadine, portrayed the events and the spirit of the French Revolution through a multitude of perspectives--ranging from Marie Antoinette to the eyes and ears of the period's revolutionaries and common people--using a circus as a central theatrical framing device and metaphor.
Introduced to Etienne Roda-Gil by a mutual friend, Waters was immediately and deeply impressed by the passion and the power of Etienne's manuscript and began work on creating a full orchestral score for "Ça Ira." Work on the project was suspended when Nadine died tragically of leukemia. Several years passed before Roger and Etienne returned to "Ça Ira."
In 1997, Roger began writing an English version of the text. "It's not just a translation," he says. "I've stuck very much to the spirit of Etienne's original, adding to it somewhat. Although it's rooted in the history of the revolution, its philosophical slant is, I suppose, contemporary as well. It's more than just a history of the French Revolution, it's a piece about the human potential for change."
The finished version of "Ça Ira" features orchestration and choral arrangements by Rick Wentworth and Roger Waters, also the album's producers. Principal characters in the opera are brought to life by the Welsh bass-baritone Bryn Terfel (the Ringmaster, the Troublemaker, Louis Capet - the King of France); internationally acclaimed soprano Ying Huang (Marie Marianne - the Voice of Liberty, Reason and the Republic, Marie Antoinette - the Queen of France); American tenor Paul Groves (A Revolutionary Priest, A Military Officer); and Senegalese "one man orchestra" Ismael Lo (a Revolutionary Slave). Other parts are sung by Jamie Bower (Honest Bird - the young Revolutionary Priest) and Helen Russill (Madame Antoine - the young Marie Antoinette).
Before the rise and fall of the guillotine, before the terror took hold, the People of France fought for a better world based on the ideals of liberty, equality and fraternity rather than one ruled by a callous and outmoded nobility. It is this story of hope and promise that inspired "Ça Ira." Set during the optimistic early days of the French Revolution, "Ça Ira is a work of stunning power and beauty, invoking the passion, madness, and triumph of faith in a time that forever changed the nature of the world.
BTW, the name of the Opera is Ca Ira. RR picked up this weird A symbol instead. I'm too lazy to go through the whole article and fix it.
Sony BMG Masterworks/Columbia Records is proud to announce the release of "Ça Ira," Roger Waters long-awaited "operatic history of the French Revolution," on Tuesday, September 27.
The lavish first edition of "Ça Ira," an opera in three acts for full orchestra, soloists and choirs, will include a double SACD DigiPack and a deluxe 60 page four-color booklet including Roger Waters' lyrics based on Etienne Roda-Gil's original French libretto, the original illustrations created by Nadine Roda-Gil, biographies of Waters and the opera's cast, background and production notes on the opera.
As a bonus for Roger Waters fans, "Ça Ira" includes a special DVD documentary chronicling the "making of" the opera. The "Ça Ira" DVD traces the history of the project, from conception to completion, and includes revelatory interviews with Waters and the musicians and cast of "Ça Ira" as well as exclusive in-the-studio footage of the recording of the opera.
"Ça Ira" is being released in the hybrid SACD (Super Audio CD) format in Dolby Digital 5.1 SurroundSound. The hybrid SACD disks are compatible with standard CD players.
Waters, who co-founded the groundbreaking rock group Pink Floyd in 1966, began to bridge the worlds of rock and classical music in such pioneering major works as "The Dark Side Of The Moon" (1973) and "The Wall" (1979) in which he incorporated elements of operatic form--theatricality, coherent narrative, dramatic arcs, thematic music and song cycles--in a pop context.
Waters' work on "Ça Ira," his first opera for full orchestra and voice, began in 1989, during the Bicentennial of the French Revolution. The well-respected and successful songwriter Etienne Roda-Gil and his wife, Nadine, had created an original libretto for an opera, written in French, as part of the Bicentennial. Entitled "Ça Ira," after a revolutionary song of the period, the Roda-Gil's original manuscript, copiously and beautifully illustrated by Nadine, portrayed the events and the spirit of the French Revolution through a multitude of perspectives--ranging from Marie Antoinette to the eyes and ears of the period's revolutionaries and common people--using a circus as a central theatrical framing device and metaphor.
Introduced to Etienne Roda-Gil by a mutual friend, Waters was immediately and deeply impressed by the passion and the power of Etienne's manuscript and began work on creating a full orchestral score for "Ça Ira." Work on the project was suspended when Nadine died tragically of leukemia. Several years passed before Roger and Etienne returned to "Ça Ira."
In 1997, Roger began writing an English version of the text. "It's not just a translation," he says. "I've stuck very much to the spirit of Etienne's original, adding to it somewhat. Although it's rooted in the history of the revolution, its philosophical slant is, I suppose, contemporary as well. It's more than just a history of the French Revolution, it's a piece about the human potential for change."
The finished version of "Ça Ira" features orchestration and choral arrangements by Rick Wentworth and Roger Waters, also the album's producers. Principal characters in the opera are brought to life by the Welsh bass-baritone Bryn Terfel (the Ringmaster, the Troublemaker, Louis Capet - the King of France); internationally acclaimed soprano Ying Huang (Marie Marianne - the Voice of Liberty, Reason and the Republic, Marie Antoinette - the Queen of France); American tenor Paul Groves (A Revolutionary Priest, A Military Officer); and Senegalese "one man orchestra" Ismael Lo (a Revolutionary Slave). Other parts are sung by Jamie Bower (Honest Bird - the young Revolutionary Priest) and Helen Russill (Madame Antoine - the young Marie Antoinette).
Before the rise and fall of the guillotine, before the terror took hold, the People of France fought for a better world based on the ideals of liberty, equality and fraternity rather than one ruled by a callous and outmoded nobility. It is this story of hope and promise that inspired "Ça Ira." Set during the optimistic early days of the French Revolution, "Ça Ira is a work of stunning power and beauty, invoking the passion, madness, and triumph of faith in a time that forever changed the nature of the world.